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Marie Curie — The Poster and Rare Books

02 Friday Oct 2015

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atmosphere, atomic, chemistry, Continuum, diagrams, frontispiece, Gauthier-Villars, Henri Becquerel, marbled boards, marbled endpapers, Marie Curie, Marie Sklodwaska Curie (1867-1934), math, Nobel Prize, Paris, physics, Pierre Curie, polonium, protrait, radiation, radioactivity, radium, Sorbonne, sun, Thatcher Building of Biological and Biophysical Chemistry, The University of Utah, thorium, uranium, Utah, women

Continuum, The Magazine of the University of Utah features The Curie Poster.

“In the southwest corner of the University of Utah’s Thatcher Building for Biological and Biophysical Chemistry, The Curie Poster is displayed as a tribute to Utah women in chemistry.”

Read the Continuum article

Curie-Wall-Mosaic

Visit the poster in the Thatcher Building for Biological and Biophysical Chemistry.

Hold the first edition of Marie Curie’s Traite de Radioactivite, Paris, 1910, in Rare Books.

QC721-C98-1910-v.1-title

Traite de Radioactivite
Marie Curie (1867-1934)
Paris: Gauthier-Villars, 1910
First edition
QC721 C98 1910

Marie Sklodowaska Curie received degrees in math and physics in Paris. She earned her doctorate in 1903. Her husband, Pierre, a professor of physics, became involved in her research. They, along with Henri Becquerel, were awarded a Nobel Prize in physics for their work that same year. In 1906, after the death of her husband, she was offered his chair in physics at the Sorbonne. In 1911 she was awarded a second Nobel Prize in chemistry.

Traite is Curie’s fullest statement on radioactivity, a word she created for a concept that she invented and defined. Henri Becquerel discovered of a type of radiation discharged from a uranium compound that was capable of passing through sheets of matter opaque to ordinary light. Curie then began a systematic examination of a large number of chemical elements and their compounds to test whether they possessed the “radioactive” property of uranium. Only one other element, thorium, was found to show this effect to a degree comparable with that of uranium.

After testing the various compounds of uranium, Curie discovered that radioactivity was an atomic property, i.e., the activity was proportional to the amount of uranium present and was independent of its combination with other substances. In trying to isolate this radioactive property from the compounds, Curie isolated the new elements polonium and radium.

In Traite she provided a detailed review of discoveries she made and confirmed the connection between matter and electricity. The first volume contains detailed descriptions of how she measured radiation, with numerous text illustrations of the instruments. In the second volume, Curie discussed the nature of radiation, the heat and various phenomena associated with radiation and the varieties of radioactive substances. The final chapter concerns radiations of the sun and atmosphere.

With a frontispiece portrait of Pierre Curie, seven plates, five of which are photographic, and nearly two hundred diagrams. Bound in contemporary three-quarter brown cloth with green morocco spine label and marbled boards and endpapers.

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Utah papyri published

13 Wednesday May 2015

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Analecta Papyrologica, Arabic Papyrus, Italy, J. Willard Marriott Library, Messina, Naïm Vanthieghem, paper, papyri, papyrus, parchment, Sicania University Press, Utah

 

P. Utah Inv. 540
P. Utah Inv. 604
P. Utah Inv. 599

P. Utah Inv. 487

An article in the most recent issue of Analecta Papyrologica (XXVI 2014), published by Sicania University Press, Messina, Italy features four pieces of papyrus from the J. Willard Marriott Library’s Arabic Papyrus, Parchment and Paper collection. “Les archives d’un maquignon d’Égypte médiévale?” was written by Naïm Vanthieghem.


 

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Salt Lake Tribune – 9 women you didn’t know changed Utah

14 Tuesday Apr 2015

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Amy McDonald, Equal Pay Day, J. Willard Marriott Library, Salt Lake Tribune, Special Collections, The University of Utah, Utah, women

Salt Lake Tribune reporter, Amy McDonald, visited the J. Willard Marriott Library, Special Collections, to celebrate Equal Pay Day, and Utah women.

9 women you didn’t know changed Utah

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Special Collections Exhibition – An Enduring Spirit: Mormon Women Pioneers

02 Monday Mar 2015

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Alison Conner, art, Eliza R. Snow, Ivy Baker Priest, J. Willard Marriott Library, Julia Huddleston, Mary Jane Mount Tanner, Maud May Babcock, Molly Steed, Mormon, pioneers, Sara Davis, Special Collections, Special Collections Gallery, The University of Utah, United States, Utah, women

unnamed

An Enduring Spirit

“Tell the sisters to go forth and discharge their duties in humility and faithfulness and the Spirit of God will rest upon them, and they will be blest in their labors. Let them seek for wisdom instead of power and they will have all the power they have wisdom to exercise!!!” – Eliza R. Snow

When the Mormon pioneers crossed the plains they came with more than the belongings in their carts and the clothes on their backs. They brought with them a spirit of courage and adventure. The J. Willard Marriott Library Special Collections gathers the archives of Mormon women from the earliest pioneers to the present generation. Our collections include: Mary Jane Mount Tanner, an early poet who recorded the stories of her pioneer mother; Maud May Babcock, one of the first female professors at the University of Utah, who directed art programs for women at the university and in the Utah community; Ivy Baker Priest, the second woman Treasurer of the United States; women who fought to defend their political and religious beliefs; and women who encouraged others through the seemingly simple task of managing a household and caring for their families. The pioneering spirit of these women and many others inspires current and future generations of Mormon and non-Mormon women.

February 25 – April 27

Exhibition: An Enduring Spirit: Mormon Women Pioneers

Curators: Alison Conner, Julia Huddleston, Molly Steed, Sara Davis

Location: Special Collections Gallery, J. Willard Marriott Library, level 4

Gallery hours: Monday–Friday, 8:00–6:00; Saturday, 9:00–6:00; Hours differ during University breaks and holidays.

The exhibition is FREE and open to the public.

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Join Us!

09 Monday Feb 2015

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Armando Solorzano, Arturo Valenzuela, Ethnic Studies, European, Gabriel Garcia Marquez, Gould Auditorium, Hinckley Caucus Room, Hinckley Institute, Hinckley Institute of Politics, Jim Hinckley, Latin America, Latinos, Lyn Hinckley, Marriott Library, Mexican Revolution, Mexico, NSC Special Assistant to the President for Latin Affairs, Orson Spencer Hall, rare book collections, Rare Books Classroom, Rare Books Division, Rocco C. and Marian S. Siciliano Forum, Sabino Osuna, United States, University of Utah, Utah

SicilianoForumhttp://www.hinckley.utah.edu/siciliano-forum

The Rare Books Division is pleased to participate in the 17th Annual Rocco C. and Marion S. Siciliano Forum: The Future of U.S. – Latin American Relations.

MONDAY, FEB. 23

9:45 AM FORUM

“Marching to a Unified Future: Latinos in Utah and the Nation.” Armando Solorzano, University of Utah Associate Professor of Ethnic Studies

Hinckley Caucus Room, Orson Spencer Hall, 255

12:00 PM KEYNOTE ADDRESS

Arturo Valenzuela, former U.S. Asst. Secretary of State for the Western Hemisphere and former NSC Special Asistant to the President for Latin Affairs

Marriott Library, Gould Auditorium

1:00 PM ART EXHIBIT RECEPTION

“Mexico at the Hour of Combat: Photographs of the Mexican Revolution by Sabino Osuna” Presented by Jim and Lyn Hinckley

Marriott Library, 5th Floor 

1-2:30PM Rare Books Display

“What Seems Fantastic”

Visit the Rare Books Classroom, Level 4, for a hands-on display of selections from the rare book collections documenting European and United States encounters with Latin America from the 8th century to the 21st.

“My most important problem was destroying the lines of demarcation that separate what seems real from what seems fantastic.” – Gabriel Garcia Marquez

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We Recommend– Next: 12 Visual Art Fellows

16 Friday Jan 2015

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15bytes, artists, collages, David Wolske, letterpress, Next: 12 Visual Art Fellows, printing, Rio Gallery, Salt Lake City, Shawn Rossiter, University of Utah, Utah, Utah Division of Arts and Museums, wood type

David

http://artistsofutah.org/15bytes/15jan/page1.html

See 18 collages by David Wolske:

“Next: 12 Visual Art Fellows”
Opening Reception, Friday, January 16, 6-9pm at the Rio Gallery, 300 S. Rio Grande St., SLC 84101

http://heritage.utah.gov/dha/dha-special/things-galleries-rio

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Book of the Week – New Voyages to North-America…

14 Wednesday Jan 2015

Posted by rarebooks in Book of the Week

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Baron Lahontan, cartographers, English, engraved plates, European, French, Great Lakes, Howard Stansbury, London, Louisiana Purchase, maps, Mississippi River, Mississippi Valley, Netherlands, North America, Rocky Mountains, Thomas Jefferson, United States, Utah


New Voyages to North-America…
Louis Armand de Lom d’Arce (1666-1715)
London: Printed for H. Bonwicke, T. Goodwin, M. Wotton, B. Took; and S. Manship, 1703
First English edition

One hundred years before President Thomas Jefferson acquired the Louisiana Purchase, and seventy-three years before the United States came into existence, this was one of the most widely read travel narratives of early eighteenth-century America, detailing Indian life with maps and engraved plates. First published in French in the Netherlands, it was published in English in London the same year.

Baron Lahontan explored the Great Lakes and upper Mississippi Valley regions in the 1680’s. Lahonton’s narrative is significant for its imaginary trip west of the Mississippi River. To validate this claim, he drew a map on which he outlined the Rocky Mountains and a river that flowed indefinitely west. A century and a half later Capt. Howard Stansbury included this map as a facsimile in his 1852 report on the expedition to what is now Utah. European cartographers of the time copied from this work frequently, attempting to show, among other geographical features, “the big salty lake farther to the west.”

President Jefferson had a copy of this book in his personal library.

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Memorial Day 2014

26 Monday May 2014

Posted by rarebooks in Book of the Week

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1st South Carolina Volunteers, abolition, American Civil War, Arlington, Decoration Day, Harvard Divinity School, Kaleidograph Press, labor rights, Luise Putcamp jr, Massachusetts, Memorial Day, Newburyport, Reed Smoot, Republican, slavery, Sonnets for Survivors, Thomas Wentworth Higginson, Union, Unitarian, Utah, Washington, women's suffrage

Memorial Day

If sudden statues rose for all who fell
They would not inundate the parks with stone
Where the forgotten heroes ride alone
To slow tongue of an abandoned bell.
Flaunting the remnants of their final hell
They would regain the streets their feet had known
Under the skies where their first words were sown
And stand as an alien citadel.

So rooted they would still with carven ear
The threadbare speech, the momentary tear,
With carven eye transfix the mocking flowers,
Wilt token flags above forgetful towers.
Who then would dare to go the usual way
Crowding the dead into a single day?

Luise Putcamp jr.
from Sonnets for the Survivors, Kaleidograph Press, 1952
“Memorial Day” published here with permission of the poet

 


Address on Decoration Day
Thomas Wentworth Higginson (1823-1911)
s.l.: s.n., 1904
E642 H53

“Without distinction of nationality, of color, of race, of religion, those men gave their lives to their country. Without distinction of religion, of color, of race, of nationality, their graves are being garlanded today….the war gave peace to the nation; it gave union, freedom, equal rights…”

Thomas Wentworth Higginson was graduated from Harvard Divinity School in 1847. He accepted the appointment of ministry of a Unitarian church in Newburyport, Massachusetts. His support for women’s suffrage, labor rights, and the abolition of slavery was too radical for the conservative community. He was asked to resign two years after his appointment. As a Union colonel in the American Civil War, Higginson commanded the 1st South Carolina Volunteers, the first federally authorized regiment of African-American soldiers.


Memorial Day Address at Arlington, VA.
Reed Smoot (1862-1941)
Washington: Govt. Printing Office, 1914
E642 S66 1914

“In all we say about the soldier, let us not forget the part taken and willingly assumed by the American women in time of war. What shall we say of the wives and the mothers who gave their husbands and their sons for their country? No woman who has not passed through this terrible ordeal can describe or measure the sacrifice our women made, or the horrors and hardships and sorrows they endured. What say you of the loving sisters who gave their brothers, yes, and their lovers too?”

Reed Smoot was a Republican senator from Utah, serving from 1903 to 1933.

 

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Recommended Workshop – Quarter Leather Flatback Lap-Case Binding

22 Thursday May 2014

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Acme Bookbinding, Alcoa, alum-tawed, aluminum, Austin, Ben Verhoeven, Book Arts Program, BookLab II, Bridgeport National Bindery, Brigham Young University, Cartier Magnani, Christopher Stern, cloth, Columbian handpress, Craig Jensen, Dartmouth College, Dearborn, Didot, Don Etherington, engraving, Environment Defense Fund Headquarters, flatback, Ford Motor Company, Gary Frost, Gary McLerran, Gaylord Schanilec, gold, Gregynog Prize, Harold B. Lee Library, Harry Ransom Humanities Research Center Conservation Department, Italy, Japanese, Jennifer Sorensen, Jensen Bindery, Jim Larsen, laid paper, lap-case binding, leather, lettering, letterpress, letterpress printed, Marnie Powers-Torrey, Michael Bixler, Michigan, Midnight Paper Sales, milling, Monotype Bembo, Monotype Univers, mould-made, National Design Award, Oxford Book Fair, paper mill, Paul Parisi, Peter Waters, Presidential Award for Sustainable Development, Provo, Rare Books Division, Red Butte Press, relief prints, Salt Lake City, San Marcos, slipcase, Smithsonian Cooper-Hewitt National Design Museum, sycamore, Texas, The Guild of Book Workers, The Library of Congress Restoration Office, tooled, trees, University of Texas, Utah, Utah State Board of Education, William McDonough, Winifred Bixler, Wisconsin, wood cuts, wood engravings, Yale University, Zerkall

The Book Arts Program presents
Quarter Leather Flatback Lap-Case Binding

Thursday, Friday, & Saturday, June 19-21
9PM – 5PM
Book Arts Studio, Level 4
J. Willard Marriott Library
Workshop fee: $240 plus materials fee

This workshop focuses on the construction of a flatback lap-case binding. The lap-case binding, sometimes mistakenly called a modified Bradel binding, has been used frequently over the years for editions bound by Jensen Bindery, BookLab, Inc. and BookLab II. The structure has continuously evolved through its many applications. This workshop tracks that evolution, specifically addressing structure, materiality, and the relationships between parts to make a beautiful looking and functioning book. Examples of various lap-case bindings are available for students to examine. Previous bookbinding experience required, preferably previous leather working skills.

Instructor Craig Jensen began his career in 1977 when he was appointed Library Conservator for the Harold B. Lee Library at Brigham Young University in Provo Utah. From 1977–1978 Craig served an internship at The Library of Congress Restoration Office under the direction of Peter Waters and Don Etherington. In 1981, Craig was recruited by Don to serve as Head of Book Conservation at the Harry Ransom Humanities Research Center Conservation Department at the University of Texas at Austin. In 1988 Craig became President and CEO of BookLab, Inc., a partnership with Gary Frost, Paul Parisi of Acme Bookbinding and Jim Larsen of Bridgeport National Bindery. BookLab expanded its offerings beyond edition binding and box making to include library repair services, and pioneered preservation photocopy and digital reproduction of out-of-print brittle books. BookLab was one of the first companies to digitize a book. Following the close of BookLab in 1998, Craig worked for Acme Bookbinding as Vice President for Imaging. In January 2003, Craig returned to his roots and predilection for hand work by forming BookLab II in San Marcos, Texas. He continues to produce custom designed housings and fine limited edition bindings for some of the best-known libraries and private presses in the world. In 2011 Craig received the Lifetime Achievement Award from The Guild of Book Workers.

http://www.oxfordamerican.org/articles/2014/feb/20/solost-most-beautiful-books/

Relicensure points are available from the Utah State Board of Education.

 For more information:bookartsprogram@utah.edu or 801-585-9191

The Rare Books Division supports the Book Arts Program through its collections.

Sylvae: Fifty Specimens Printed Directly from the Wood with Historical Anecdotes and…
Ben Verhoeven
Stockholm, WI: Midnight Paper Sales, 2007
N7433.4 V45 S9 2007

Artists’ statement: “Twenty wooded acres surround Midnight Paper Sales in western Wisconsin. This book documents the journey Ben Verhoeven and Gaylord Schanilec into the woods to create a work not only about these trees, but of these trees. In all, 24 species have been catalogued through image, historical anecdotes, and notes taken during the cutting, milling, engraving and printed. The 53 images consist primarily of long grain and end grain specimens which have been taken from this property. In each case the image is manipulated through either color, impression, engraving, or some combination of the above to emphasize a certain characteristic of a species. The text varies as well from tree to tree, focusing on what role each played in the local history and in this project.” Illustrated by Gaylord Schanilec with 53 relief prints (wood cuts and wood engravings) printed by reduction process engraving directly from the wood specimens; including two fold-out illustrations of the maple grove and a map of Farm 590 indicating where the wood was harvested. Letterpress printed by Ben Verhoeven and Gaylord Schanilec on Zerkall mould-made laid paper. Michael and Winifred Bixler cast the Monotype Bembo. Lapped case binding by Craig Jensen and Gary McLerran in quarter leather over bare quarter-sawn white oak boards, white alum-tawed goat skin spine with tooled title lettering in gold. Issued in a dark blue Japanese cloth slipcase, lined with black paper. Awarded the Gregynog Prize at the Oxford Book Fair, 2007. Edition of one hundred and twenty copies. University of Utah copy is no. 105, signed by the author and the artist.


 

Something Lived, Something Dreamed
William McDonough
Salt Lake City: Red Butte Press, 2004
HT167.5 W47 M33 2004

In 1981 William A. McDonough founded William McDonough + Partners which designs environmentally sustainable buildings and industrial manufacturing processes. He attended Dartmouth College and Yale University. His first major commission was in 1984 for the Environmental Defense Fund Headquarters. He re-engineered Ford Motor Company’s River Rouge Plant in Dearborn, Michigan, covering more than ten acres of the roof of the truck assembly plant with a low-growing ground cover. He is the only individual recipient (1996) of the Presidential Award for Sustainable Development. In 2004 he received a National Design Award from the Smithsonian Cooper-Hewitt National Design Museum. His essay, “Something Lived, Something Dreamed” was commissioned by the Red Butte Press. Printed with Monotype Univers and Didot on cotton paper commissioned from Cartier Magnani paper mill in Italy by Marnie Powers-Torrey and Jennifer Sorensen using an 1846 Columbian handpress. Illustrated by Christopher Stern (d. 2007). Bound at Book Lab II (San Marcos, Texas) by Craig Jensen in recycled aluminum donated by Alcoa, over sycamore boards. Edition of one hundred and twenty-five copies. University of Utah copies are nos. 34 and 47.


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Book of the Week – Winter Orchard

09 Monday Dec 2013

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California, Carl Dern, Jungle Garden Press, Marie Dern, metal sculpture, Provo, Salt Lake City, Utah, Winter Orchard

Carl and Marie Dern, Winter Orchard, 2005, Box
Carl and Marie Dern, Winter Orchard, 2005, Trees
Carl and Marie Dern, Winter Orchard, 2005, Tree

Winter Orchard
Carl and Marie Dern
Fairfax, CA: Jungle Garden Press, 2005
N7433.4 D444 W5 2005

Carl and Marie Dern were born and raised in Utah, where they met as children. Winter Orchard was their response to the orchards they passed as they drove between Salt Lake City and Provo. Carl and Marie moved to California where Carl, a sculptor, opened a studio and Marie began collaborating with poets and authors and producing fine press books. “Jungle Garden Press” was named after their backyard. Many of its editions, including Winter Orchard, incorporate pieces of metal sculpture by Carl. Designed, printed and bound by Marie,  Winter Orchard includes a tree made of steel, brass, and tin. Box designed by Marie Dern. Edition of sixty copies. University of Utah copy is no. 8, signed by Carl and Marie Dern.

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