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We Recommend — The Theophilus Legend in Medieval Text & Image

21 Wednesday Jun 2017

Posted by rarebooks in Recommended Reading

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Abraham, angels, apostate, Associate Professor, Cambridge, Christ, Comparative Literature, Countess of Winchester, D. S. Brewer, Danish, David, demons, Department of World Languages and Culture, Devil, Earl Ferrers of Derby, embossed leather, European, facsimiles, Faustian, France, French, Gothic, illuminations, Ingeborg Psalter, Jerry Root, Jesse, Lady Eleanor de Quincy, Lambeth Apokalypse, Latin, London, manuscript illuminations, medieval, medieval manuscripts, miniatures, Moses, Muller & Schindler, New Testament, Old Testament, ornamental initials, painting, psalms, Rare Books Department, saint, salvation, St. John, Stuttgart, The University of Utah, Theophilus, Theophilus legend, Virgin, Virgin Mary, William III

Theophilus-Legend
“The legend’s popularity is a tribute to its ability to make the plight of individual salvation tangible and visible at a time when that salvation must seem highly uncertain.” — from the Introduction

The Theophilus Legend in Medieval Text & Image
Jerry Root
Cambridge: D. S. Brewer, 2017
PN687 Ts R66 2017

From the publisher’s website: “The legend of Theophilus stages an iconic medieval story, its widespread popularity attesting to its grip on the imagination. A pious clerk refuses a promotion, is demoted, becomes furious and makes a contract with the Devil. Later repentant, he seeks out a church and a statue of the Virgin; she appears to him, and he is transformed from apostate to saint. It is illustrated in a variety of media: texts, stained glass, sculpture, and manuscript illuminations.
Through a wide range of manuscript illuminations and a selection of French texts, the book explores visual and textual representations of the legend, setting it in its social, cultural and material contexts, and showing how it explores medieval anxieties concerning salvation and identity. The author argues that the legend is a sustained meditation on the power of images, its popularity corresponding with the rise of their role in portraying medieval identity and salvation, and in acting as portals between the limits of the material and the possibilities of the spiritual world.”

Jerry Root is Associate Professor of French and Comparative Literature in the Department of World Languages and Culture at The University of Utah.

The Rare Books Department has facsimiles of two of the medieval manuscripts Prof. Root worked with for his book.

PSAUTIER D’INGEBURGE DE DANEMARK (INGEBORG PSALTER)
Graz: Akademische Druck- u. Verlagsanstalt, 1985
ND3357 I5 D4 1985

Facsimile. Produced around 1195 in northeastern France, the Ingeborg Psalter is written in Latin with two flyleafs of inscriptions in French. The illuminations in this work represent a turning point in the history of European painting, when artists left behind abstract and highly stylized forms in favor of a more naturalistic representation of the world. The three-dimensional qualities of the figures, their proportions, and their expressive movements stand out as essential innovative elements in the emerging Gothic style of the early 1200’s. The manuscript is named after its first owner, Ingeborg, a Danish princess and spouse of King Philip II of France, who was expelled by her husband for unknown reasons shortly after their wedding. The beginnings of the psalms are rubricated with ornamental initials. Some of the psalms are illuminated with ornate figural initials depicting scenes from the life of David. A large number of elaborate miniatures of a decisively new style and design greatly influenced the art of illumination in the Gothic period. The illuminations depict episodes from the lives of Abraham and Moses, followed by the root of Jesse marking the transition between the Old and New Testaments. Further illuminations are based on themes taken from the life of Christ. Finally, scenes from the legend of Theophilus are depicted. In this popular medieval epic, the sinner Theophilus devotes himself to the Devil and is saved by the Virgin Mary, thus introducing the Faustian motif for the very first time. Bound in embossed leather. Edition of five hundred copies. University of Utah copy is no. 396.

ND3357-J5-D4-1985-pg36spread
Homage to the Devil, Prayer to the Vigin, Retrieval and Return of Contract

DIE LAMBETH APOKALYPSE
Stuttgart: Muller & Schindler, 1990
BS2822.5 L35 M67 1990

Facsimile. This manuscript was likely commissioned by Lady Eleanor de Quincy, Countess of Winchester (ca. 1230-74), daughter of William III, Earl Ferrers of Derby (1200-1254). It was produced circa 1252-67, probably in London. Eleanor is depicted in one of the illuminations that serve as a visual appendix to the book. St. John’s revelatory vision of the end of the world was a popular subject for medieval illustration, given the emotionally powerful images of clashing armies of angels and demons and terrestrial and celestial upheaval evoked by the text. Seventy-eight miniatures include the Dragon being cast into Hell (Rev. 20:9-10) and Christ sitting in Final Judgment (Rev. 20:11-15). The text, in Jerome’s Latin Vulgate, includes extracts from an eleventh century theological commentary on the Book of Revelations. Illuminated Apocalypses were fashionable in England when this manuscript was produced. The commentary was added to ensure that the reader was correctly guided through an understanding of the biblical symbolism. Illuminations helped with this guidance, but they also served as a statement on the owner’s social position. The more lavish the production, the more prominent the owner, or, at least, the more wealthy. The book was intended to educate, but also to entertain.

BS2822.5-L35-M67-1990-pg46recto
Theophilus goes to the Jewish intermediary: pays homage to the Devil

BS2822.5-L35-M67-1990-pg47spread(curves)
Virgin takes back contract, hellmouth; Return of contract

BS2822.5-L35-M67-1990-pg46Verso
Prayer to the Virgin; Virgin consults Christ

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Best Graduation Present Ever

04 Thursday May 2017

Posted by rarebooks in Donations

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Antoine Laurent Lavoisier, bookbinder, chemistry, College of Science Distinguished Professor of Chemistry, conservator, copper engravings, Department of Chemical Engineering and Material Science, Department of Chemistry, Dr. Henry S. White, Edinburgh, French Revolution, history, Journal of American Chemical Society, London, McKnight and Shell Professor of Chemical Engineering, MIT, Nancy Carlson Schrock, nanopores, nonobubbles, Rare Books Department, science, The University of Utah, University of Minnesota, University of Texas, William Creech


ElementsofChemistryTitle

“It is not the history of the science, or of the human mind, that we are to attempt in an elementary treatise. Our only aim should be ease and perspicuity, and with the utmost care to keep every thing out of view which may draw aside the attention of the student. It is a road which we should be continually rendering more smooth, and from which we must endeavour to remove every obstacle which can occasion delay.”
…
“Like three impressions of the same seal, the word ought to produce the idea, and the idea to be a picture of the fact. And, as ideas are preserved and communicated by means of words, it necessarily follows, that we cannot improve the language of any science, without at the same time improving the science itself; neither can we, on the other hand, improve a science, without improving the language or nomenclature which it belongs to.”

– Antoine Laurent Lavoisier from Elements of Chemistry

Elements of Chemistry in a New Systematic Order, Containing All the Modern…
Antoine Laurent Lavoisier (1743-1794)
Edinburgh: Printed for William Creech; and sold in London by G. G. & J. Robinson, and T. Kay, M, DCC, XCIX (1799)
Fourth edition
QD28 L42 1799

Gift of Dr. Henry S. White, Dean, College of Science Distinguished Professor of Chemistry.

When he received his Ph.D in chemistry from the University of Texas, Henry Sheldon White’s mother gave him a copy of the fourth edition of Antoine Laurent Lavoisier’s Elements of Chemistry. The pages of this book were worn and brown with years of use, but it was intact, despite a deteriorated binding. Not a year later, while Dr. White held a postdoctoral appointment at MIT, he spent $105 to have the binding restored. The restoration was done by professional bookbinder and conservator Nancy Carlson Schrock.

The gift and its restoration were so important to Dr. White that he kept the book and the conservator’s invoice for the next thirty-four years. And then, he gave both to the Rare Books Department.

When Dr. White had occasion to hold our first edition of Lavoisier’s Traite, he fondly remembered the best graduation present ever. Dr. White remembered reading Lavoisier’s work like someone might remember holding the hand of one’s first love – a lasting impression, even as life moves on.

He remembered the detailed copper engraved illustrations at the back of the book, made by Lavoisier’s beloved wife, Marie-Anne Paulze Lavoisier. He lamented the loss of Lavoisier, who nearly survived, but did not, the French Revolution.

Henry White joined the faculty of the Department of Chemical Engineering and Materials Science at the University of Minnesota, where he was the McKnight and Shell Professor of Chemical Engineering. In 1993, he moved to the Department of Chemistry at The University of Utah where he is a Distinguished Professor. Prof. White is the Dean of the College of Science at The University of Utah, and previously served as Chair of the Department of Chemistry (2007 – 2013).

Dr. White’s current research interests include high-field transport in nanometer-wide electrochemical cells, DNA structural analyses using protein ion channel recordings, the formation and stability of nanobubbles, and transport phenomena in nanopores.

All of which is and ever shall remain a mystery to me. But I do understand how the newly confirmed Dr. White must have felt when he held this book in his hands, a preserved package of ideas communicated by means of words, at the beginning of a new journey.

Congratulations to The University of Utah’s 2017 graduating class. May you render the road smooth with ease and perspicuity.

~ Luise Poulton, Managing Curator, Rare Books


The Air We Breathe — He named this substance “oxygen”

Traite elementaire de chimie presente dans un…
Antoine Laurent Lavoisier (1743-1794)
Paris: Cuchet, 1789
First edition, second issue
QD28 L4 1789 vols. 1 & 2

Antoine Laurent Lavoisier laid the foundation for modern chemistry by establishing the concept of elements as substances that cannot be further decomposed. He carried out the earliest biochemical experiments and through these explained many of the cyclical processes in animal and vegetable life. One of the most important consequences of Lavoisier’s work was the establishment of the concept of the conservation of matter.

Traite elementaire is presented in the form of a manual. Lavoisier offered a new theory of chemistry treated in a systematic approach unlike anything that had preceded it. He used accurate measurements for chemical research, such as the balance for weight distribution at every chemical change. He reformed chemical nomenclature, assigning every substance a name based upon the elements of which it was composed. He proved that the increase in the weight of metals was due to something taken from the air, and that this effect was constant in all such processes. He named this substance “oxygen.” He concluded that water was a compound of oxygen and hydrogen. He understood that respiration and combustion were similar processes, and, since oxygen was that part of the air that combined with metals in the process of combustion, he named the resulting substances oxides.

Compound bodies were found to present the combined weight of the simple bodies of which they are composed, while, when these simple bodies are withdrawn, they have the same weight as was put in them; i.e. matter remains constant throughout all chemical changes.

The book contains thirteen copperplate illustrations, drawn and engraved by Lavoisier’s wife, a skilled painter who had studied under the artist Louis David.

QD28-L4-1789-v.2-Planche1

QD28-L4-1789-v.2-Planche2

QD28-L4-1789-v.2-Planche11


QD28-L42-1796-title

Elements of Chemistry…Translated from the French by Robert Kerr…
Antoine Laurent Lavoisier (1743-1794)
Edinburgh: Printed for William Creech, 1796
QD28 L42 1796

This Kerr edition of Lavoisier’s work is important for its considerable additions and for an interesting postscript in which Kerr bitterly condemns the execution of Lavoisier. “The Philosophical World has now infinitely to deplore the tragical and untimely death of the great LAVOISIER…If the sanguinary tyranny of the monster Robespierre had committed only that outrage against eternal Justice, a succeeding age of the most perfect government would scarcely have sufficed, To France and to the world, to repair the prodigious injury that loss has produced to chemistry, and to all the sciences and economical arts with which is it connected.” Kerr also alludes in his prefatory remarks to the larger work that Lavoisier was going to write. “Had Lavoisier lived, as expressed in a letter received from him by the Translator, a short while before his massacre, it was his intention to have republished these Elements in an entirely new form, composing a Complete system of Philosophical Chemistry…”

With two folding tables and thirteen folding copper-plates engraved by Lizars after Mme. Lavoisier. Rare Books copy bound in contemporary tree calf, gilt ruled, red morocco label and gilt on spine.

QD28-L42-1796-foldout


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Rare Books Exhibition — Enquiring Minds

16 Thursday Mar 2017

Posted by rarebooks in Physical Exhibitions

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almanacs, answers, atlases, compendiums, dictionaries, directories, encyclopedias, exhibition, facsimiles, first editions, information, Izaak Walton, J. Willard Marriott Library, lexicons, manuals, medieval, Ptolemy, questions, rare books, Special Collections Gallery, The University of Utah

EnquiringMinds(blog)

Enquiring Minds: Fourteen Centuries of Questions and Answers

Humans have been compiling information to answer an infinity of questions for thousands of years. From Ptolemy to Izaak Walton, the best minds have annotated, edited, translated, measured, arranged, and defined what it means to live a life of wonder.

From facsimiles of medieval encyclopedias, almanacs and atlases to first editions of fifteenth through twentieth century dictionaries, manuals, lexicons, compendiums, and directories, Rare Books celebrates questions and the attempts to answer them.

Keep on asking!

March 17, 2017 — April 30, 2017
Special Collections Gallery
Level 4
J. Willard Marriott Library
The University of Utah

This exhibition is free and open to the public.

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On Jon’s Desk: Scrapbook of Clippings from New York Daily Tribune, a collection of newspaper clippings concerning the Utah War (1850s)

28 Tuesday Feb 2017

Posted by Jonathan Bingham in Recommended Lecture

≈ 2 Comments

Tags

Aileen H. Clyde 20th Century Women's Legacy Archive Lecture, Albert G. Browne, Architectural History, Berkeley, clippings, College of Humanities, Department of History, Dianne Harris, Gould Auditorium, J. Willard Marriott Library, Johnston's Army, Judy Jarrow, National Council on the Humanities, National Humanities Alliance, New York Daily Tribune, President Barack Obama, scrapbook, The University of Utah, University of California, Utah, Utah Humanities Council

Albert G. Browne, Jr.'s Handwritten Note

 

 

 

 

 

 

 

“The following letters were written to the Tribune from Camp Scott by Mr. ….. during my absence from the Camp from Jan 5. to May 27. 1858. During that interval I was employed on a journey to the States with despatches from Gen. Johnston to Gen. Scott, and in returning.”
– A. G. B., jr., handwritten note contained in Scrapbook of Clippings from New York Daily Tribune

Title: Scrapbook of Clippings from New York Daily Tribune

Compiled by: Albert G. Browne, Jr.

Printed: New York, 1857-1886

Edition of One (scrapbook)

Call Number: F826 N49

Image of page containing editor's envelope and Catholic University of America stamp.

 

 

 

 

 

 

 

 

Beauty is in the eye of the beholder. I would describe the Scrapbook of Clippings from New York Daily Tribune as an outwardly ugly book containing a beautiful wealth of historical information and research value. Any historian who has spent hours searching microfiche will tell you that finding and assembling relevant newspaper articles for research can be brutal. A collection of related articles on a specific subject presented by a contemporary, primary source is, therefore, a veritable treasure trove. This is exactly what this scrapbook of clippings is. As a collection of newspaper article clippings from the New York Daily Tribune primarily from the 1850s on the topic of Johnston’s Army and its expedition to Utah it provides insight into the historical record of that time from an East Coast perspective (albeit resting upon accounts from witnesses present with the Army).

Image of first page of newspaper clippings in the scrapbook.

 

 

 

 

 

 

 

 

The Library of Congress describes the New York Daily Tribune in this way:

“Horace Greeley founded the New York Tribune as a Whig party, penny paper on April 10, 1841, and would continue as its editor for the next thirty years. During Greeley’s tenure the Tribune became one of the more significant newspapers in the United States, and Greeley was known as the outstanding newspaper editor of his time. In 1924 the Tribune merged with the New York Herald to form the New York Herald Tribune, a publication which would remain a major United States daily until its demise.

“Distinguishing features of the early penny press were their inexpensiveness, their appeal to the average reader, their coverage of more and different types of news, and, in some instances, a marked political independence. Penny papers such as the New York Sun and the New York Herald were known for their emphasis on lurid crime reporting and humorous, human interest stories from the police court. The Tribune offered a strong moralistic flavor, however, playing down crime reports and scandals, providing political news, special articles, lectures, book reviews, book excerpts and poetry. As with other penny papers, the Tribune was not averse to building circulation by carrying accounts involving sex and crime, but it was careful to present this material under the guise of cautionary tales.

“Greeley gathered an impressive array of editors and feature writers, among them Henry J. Raymond, Charles A. Dana, Bayard Taylor, George Ripley, Margaret Fuller, and, for a while, Karl Marx served as his London correspondent. Reflecting his puritanical upbringing, Greeley opposed liquor, tobacco, gambling, prostitution, and capital punishment, while actively promoting the anti-slavery cause. His editorial columns urged a variety of educational reforms and favored producer’s cooperatives, but opposed women’s suffrage. He popularized the phrase “Go west, young man; go west!” The Tribune supported Abraham Lincoln during the Civil War, but opposed his renomination in 1864.”

Please see the Library of Congress webpage here http://chroniclingamerica.loc.gov/lccn/sn83030213/ for more information on the New York Daily Tribune.

Also of interest is the provenance, or history, of the scrapbook, itself. According to stamps in the scrapbook it once belonged to the Catholic University of America. Why they chose to let this treasure go may perhaps always be a mystery. If you are interested in what the Catholic University of America is, please go to these links:

https://www.cua.edu/index.html

https://en.wikipedia.org/wiki/Catholic_University_of_America

The Scrapbook of Clippings from New York Daily Tribune be just about the ugliest looking book you have ever seen, but it is an amazing historical source that likely has and will continue to save researchers much time and eyesight thanks to the scrapbooking skills of one newspaper clipper, Albert G. Browne, Jr., a century and a half ago.

– Contributed by Jon Bingham, Rare Books Curator

Editors note:

We recommend the Aileen H. Clyde 20th Century Women’s Legacy Archive Lecture:

Save Everything

“Save Everything!: Reflections of a Historian on Archives of the Future”
Dianne Harris, Dean, College of Humanities and Professor of History
Tuesday, March 7 at 7PM
Gould Auditorium, Level 1
J. Willard Marriott Library
The University of Utah

For centuries, historians have been using primary source material preserved in archives — drawings, texts, artifacts of material culture [like this scrapbook!], and more — to shape their narratives of the past. How has the digital turn changed the ways historians now interact with primary sources? How has the availability of vast quantities of digital data shaped the nature of historical research? And what is the future of the archive in the digital era?

Please join Dean Dianne Harris as she discusses this topic from her perspective as an architectural and urban historian.

Dianne Harris is Dean of the College of Humanities at The University of Utah, where she is also a professor in the Department of History. She holds a PhD in Architectural History from the University of California, Berkeley. Dean Harris currently serves on the boards of the National Humanities Alliance, and the Utah Humanities Council. In 2015, she was nominated by President Barack Obama to serve on the National Council on the Humanities.

For more information contact Judy Jarrow at 801-581-3421 or judy.jarrow@utah.edu

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Hold History in Your Hands

22 Monday Aug 2016

Posted by rarebooks in Uncategorized

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Charles Dickens, Francis Bacon (1561-1626), Galileo, Henry David Thoreau (1817-1862), history, J. Willard Marriott Library, Jean-Jacques Rousseau, John L. Stephens (1805-1852), Jonathan Swift (1667-1745), Rare Books Department, Shawn Sheahy, Special Collections, The University of Utah, Thomas Hobbes (1588-1679)

HoldHistory(Blog)

The Rare Books Department, J. Willard Marriott Library, The University of Utah invites students, faculty, and community members to visit the Special Collections Reading Room (Level 4), where you can hold history in your hands.

This slideshow requires JavaScript.

The rare book collections of nearly 80,000 pieces includes first editions of Galileo’s Dialogo (1632), Bacon’s Novum Organum (1620), Dickens’ Posthumous Papers of the Pickwick Club (1836), Hobbes’ Leviathan (1651), Rousseau’s Dictionnaire de Musique (1768), Stephens’ Incidents of Travel in Central America (1841), Swift’s Travels into Remote Nations of the World (1726), Thoreau’s Walden (1854), and much, much more.

Rare Books welcomes U!

Wildflower-violet-sRGB

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We recommend — Evolution and Imagination in Victorian Children’s Literature

27 Wednesday Jul 2016

Posted by rarebooks in Recommended Reading

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Alice's Adventures in Wonderand, animals, Cambridge, Cambridge University Press, Charles Darwin, Charles Kingsley, children, children's literature, elementary education, English, evolution, Francis Hodgson Burnett, Jessica Straley, Lewis Carroll, Margaret Gatty, On the Origin of Species, Rare Books Department, Rudyard Kipling, species, The University of Utah, Victorian, vivisection

Dustjacket

Evolution and Imagination in Victorian Children’s Literature
Jessica Straley
Cambridge: Cambridge University Press, 2016

From the publisher: “Evolutionary theory sparked numerous speculations about human development, and one of the most ardently embraced was the idea that children are animals recapitulating the ascent of the species. After Darwin’s Origin of Species, scientific, pedagogical, and literary works featuring beastly babes and wild children interrogated how our ancestors evolved and what children must do in order to repeat this course to humanity. Exploring fictions by Rudyard Kipling, Lewis Carroll, Frances Hodgson, Burnett, Charles Kingsley, and Margaret Gatty, Jessica Straley argues that Victorian children’s literature not only adopted this new taxonomy of the animal child, but also suggested ways to complete the child’s evolution. In the midst of debates about elementary education and the rising dominance of the sciences, children’s authors plotted miniaturized evolutions for their protagonists and readers and, more pointedly, proposed that the decisive evolutionary leap for both our ancestors and ourselves is the advent of the literary imagination.

Jessica Straley is Assistant Professor of English at the University of Utah. She has published articles on evolutionary theory, vivisection, and Victorian literature in Victorian Studies and Nineteenth-Century Literature and has contributed a chapter to Drawing on the Victorian: The Palimsest of Victorian and Non-Victorian Graphic Texts, edited by Anna Maria Jones and Rebecca N. Mitchell.”

The Rare Books Department is pleased to have contributed images to this book from its copy of Alice’s Adventures in Wonderland by Lewis Carroll (1865).

Straley, Evolution, p. 96
Straley, Evolution, p. 103
Straley, Evolution, p. 104

Straley, Evolution, p. 112-113

Congratulations, Professor Straley!

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Book of the Week — He Kaine Diatheke

04 Monday Apr 2016

Posted by rarebooks in Book of the Week

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Antoine Augereau, Aristotle, astrology, Bible, bibliographer, binding, Book of Hours, calendar, Calvin, Chartres, Christmas Eve, Cicero, classics, cosmology, Demarruello, Estienne, Euclid, France, French, Garamond, Geoffroy Tory, Gothic, Greek, Greek New Testament, Henri Estienne, heresy, heretic, Hesiod, hinges, Hippocrates, Horace, Hore beate marie, indices, initials, italic, Latin, Louvain, Lutheran, New Testament, Ovid, Paris, Paris Parlement, pressed paper boards, printing, proof sheets, Protestant, putti, R. Peter, Renaissance, repair, Robert Estienne I, Roman Catholic, signatures, Simon de Colines, Sophocles, subheadings, Terence, The University of Utah, theological, tools, typeface, typefounder, University of Paris, Virgil, woodcut

Title page

“For I will be merciful to their unrighteousness, and their sins and their lawless deeds I will remember no more.” — Hebrews 8:11, New King James Version

HE KAINE DIATHEKE
Paris: [Antoine Augereau for] Simon de Colines, [29 November or 22 December] 1534
BS1965 1534

This is the first Greek New Testament printed in France. Simon de Colines edited the text, using printed and manuscript sources. To save his own neck, Colines hid the involvement of the book’s printer, Protestant typefounder Antoine Augereau. Augereau was condemned as a heretic, hung, and then burned at the stake on Christmas Eve 1534, only a few days after finishing the printing of Ha Kaine Kiatheke.

In 1520, Colines married the widow of Henri Estienne, the founder of the distinguished Estienne press, and took charge of that press until Estienne’s son, Robert I, took over in 1526. Colines then set up his own shop nearby. He focused his publishing efforts on Greek and Latin classics – works by Aristotle, Cicero, Sophocles, Hesiod, Horace, Ovid, Virgil, Terence, Euclid, Hippocrates and others – works then considered the literary backbone of the civilized world. He added to the classics publications of anti-Lutheran theological writings and works by the faculty of the University of Paris. In all, Colines’ press produced at least seven hundred and fifty publications. Although not a scholar himself, he used his considerable familiarity with the Estienne publications and extended his own press to include writings on the natural sciences, cosmology, and astrology.

Colines was an important part of the development of book and reading structure in Renaissance printing. It was during this time that chapter headings, subheadings, running heads, page numbers, tables of content, indices and source notes became elemental fixtures in the publication of texts.

Pg210

Colines designed his own italic and Greek fonts and a roman typeface from which Garamond type was derived. He was one of the earliest printers to mix italic fonts with roman typefaces. During at least one of his printing projects, he worked with type designer Geoffroy Tory.

Ha Kaine Kiatheke is the first book printed in Simon de Colines’ second Greek font, including initial guide letters. The University of Utah copy has three lines (possibly an oath) written in an early hand in French and signed by “Demarruello.”

Inscription

It also contains the book plate of Calvin bibliographer R. Peter.

Pastedown

The University of Utah copy bound in contemporary tan calf blind decorated with an outer roll of foxes, winged putti, acanthus leaves and lilies, central rectangle with brazier and foliage tools.

FrontBoard

An earlier repair to the hinges of the binding revealed the following, making up the pressed paper boards: 28 leaves from Les choses co[n]tenues en ce present liure…Le contenu en ceste second partie du nouveau testament, Paris, S. de Colines 10 January 1524; and leaves from Hore beate marie [virgi]nis Secundu[m] vsum insignis ecclesia[?e] Cathedraiis Carnoten[sis]…, Paris, s.n., ca. 1511-1512.

The printed signatures found hidden in the binding appear to be proof sheets for the first Protestant French translation of the New Testament, second edition.

Leaf3

The printing of this edition was completed only months before the Paris Parlement condemned the work as heresy. Yet, the 1524 edition, due to its literary quality and scriptural analysis, served as the basis for nearly all future French versions throughout the century. Ironically, it also served as the 1550 Roman Catholic Louvain Bible.

The leaves from Hore beate…, which also formed part of the binding’s pressed boards, are from an unrecorded Latin-French Book of Hours for the use of Chartres, with a calendar for 1512-1520. The type is Gothic, printed in red and black and includes two-line woodcut initials.

Leaf2

Leaf1

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Exhibition — “Tunnel Vision”

01 Friday Apr 2016

Posted by rarebooks in Physical Exhibitions

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accordion fold, Allison Milham, altar, bands, Berkeley, Book Arts Program, Book Arts Studio, California, City Center of San Francisco, cut-out, desert, envelope, fan-folds, Flying Fish Press, Gloria Morales, J. Willard Marriott Library, Julie Chen, Kathy Walkup, land art, Lois Morrison, Luise Poulton, Maryline Poole Adams, Mexican, miniature book, movable books, Nancy Holt, oil-cloth, paper hinges, peephole, photograph, Poole Press, pop-up, rare book collections, Rare Books Department, San Francisco, Scott Beadles, Sun Tunnels, The University of Utah, tunnel book, Utah, Utah Museum of Fine Arts, Virgin, workshop

 

TUNNELVISION_slide

Tunnel Vision: A Selection of Tunnel, Pop-up and Movable Books from the Rare Books Department

Tunnel Vision features a selection of pieces from the rare book collections produced using various paper manipulations to create the illusion of depth — framing and narrowing the viewers’ perspective. This exhibition is the result of a collaboration between the Book Arts Program, the Utah Museum of Fine Arts, and the Rare Books Department. It coincides with two events (see below) inspired by Nancy Holt’s famous land art piece, Sun Tunnels, located in Utah’s west desert.

March 23 through June 3, 2016
Level 1, J. Willard Marriott Library
The University of Utah
Co-curated by Luise Poulton and Allison Milham

DSCF8939
A Maze in Mystery: An Amazing Peep-Show
Maryline Poole Adams
Berkeley, CA: Poole Press, 1992
N7433.4 A23 M29 1992

Boards connected by fan-folds; views are through a door in the first board. Edition of one hundred copies. University of Utah copy is no. 22.

DSCF8923
The Gadarene Swine: Luke 8:26-33 & Later
Lois Morrison
Berkeley, CA: Flying Fish Press
N7433.4 M66 G3 1993

DSCF8931DSCF8932
Jardin de Guadalupe
Lois Morrison
San Francisco, CA: L. Morrison, 1994
N7433.4 M66 J37 1994

Paper cut-out see-through scene with accordion fold hinges on both sides and photograph of altar with Virgin at back. In oil-cloth envelope, fastened with ties. Edition of twenty-five copies. University of Utah copy is no. 19.

DSCF8947
Life Time
Julie Chen
Berkeley, CA: Flying Fish Press, 1996
N7433.4 C44 L54 1996

Miniature book enclosed in a decorated sea green paper box with a hinged window lid. Text printed on a series of eight concentric discs attached by paper hinges in an accordion-fold format designed to be read through a center hole when the construction is fully extended. Edition of one hundred copies, numbered and signed by the author. University of Utah copy is no. 15.]

DSCF8941
Ya Viene la Banda
Gloria Morales
San Francisco, CA: City College of San Francisco, 1998
N7433.4 M648 H47 1998

Tunnel book inspired by popular Mexican bands. Printed and bound by the author. Produced in Kathy Walkup’s Book Arts class at CCSF. Six leaves of color illustrations mounted with accordion-folded paper between boards, to be viewed through a peephole in the cover. One leaf of text laid-in. Edition of seven copies, numbered. University of Utah copy is no. 4.

Exhibition photographs by Scott Beadles

Sun Tunnels Educators’ Workshop and Family Day
April 23, 2016, 10am — 12pm
Free for teachers and their families (kids ages 5 and up)
The Book Arts Studio, J. Willard Marriott Library, Level 4

One of the most famous land art works in the world is right in our backyard! Nancy Holt’s iconic Sun Tunnels explores themes of light, perspective, time, space, geography, and more — perfect topics for interdisciplinary teaching. Bring your family and join the Utah Museum of Fine Arts for this hands-on workshop. Start the day together experiencing nature, then explore teaching through tunnel books while the family makes their own Sun Tunnels inspired art.

To register for this workshop contact: Allison Milham (Allison Milham @utah.edu) or schoolprogram@umfa.utah.edu

For more information visit umfa.utah.edu/teacherworkshops

ARTLandish: Sun Tunnels Community Meet-up
April 30, 2016, 1pm 00 4pm
Free and open to the public

Join the UMFA for a day of art and science at Sun Tunnels, the iconic land art by Nancy Holt in Utah’s west desert. UFMA members, families, teachers, and students of all ages are invited to explore the landscape, create art, and learn about the environment of the desert. Meet at site.

For driving directions visit: umfa.utah.edu/suntunnels_selfguide
For more information contact: virginia catherall@umfa.utah.edu

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Book of the Week – Cause and Effect

21 Monday Mar 2016

Posted by rarebooks in Book of the Week

≈ Comments Off on Book of the Week – Cause and Effect

Tags

abaca, accordion structure, Alabama, book arts, childhood, cotton, drum leaf binding, Gordo, hemp, Jessica Peterson, letterpress, microfilm, New York, newspaper, paper, photo-polymer plates, printed, race riots, Rochester, Sarah Bryant, The University of Alabama, The University of Utah, trompe-l'oeil, Vandercook SPO-20

N7433.4-P475-C38-2009-RaceSpread

“Sing a song full of the faith that the dark
past has taught us
Sing a song full of the hope that the
present has brought us
Facing the rising sun of our new
day begun
Let us march on ’til victory is won.”
— James Weldon Johnson (1871-1938)

CAUSE AND EFFECT
Jessica Peterson
[Alabama: J. Peterson], 2009
N7433.4 P475 C38 2009

A relocation to Alabama causes the author to re-examine her childhood in Rochester, NY, particularly with respect to the impact of the 1964 race riots. From the colophon: “…researched, written, designed and printed by Jessica Peterson…The content was letterpress printed using photo-polymer plates on Sarah Bryant’s Vandercook SPO-20 in Gordo, Alabama…completed in fulfillment of my MFA in Book Arts from The University of Alabama, April 2009.” Illustrated with printed trompe-l’oeil style newspaper and microfilm clippings. Printed on cotton, abaca, and hemp paper. Accordion structure in drum leaf binding. Edition of fifty-five copies. University of Utah copy is no. 38.

N7433.4-P475-C38-2009-InnerCity

N7433.4-P475-C38-2009-map

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Book of the Week – Dancing with Amelia

09 Wednesday Mar 2016

Posted by rarebooks in Book of the Week

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Tags

accordion, airplane, Amelia Earhart, book, California, Charles Hobson, die cut, IRIS, laser cut, Lockheed Electra, mixed media drawings, Oakland, Pacific Editions, printmaking, San Francisco, The University of Utah, Todd Die, twin-engine

Dancing With Amelia coverDancing with Amelia Title-page spreadDancing with Amelia spread

DANCING WITH AMELIA
Charles Hobson (1943-)
San Francisco, CA: Pacific Editions, 2000
N7433.4 H62 D36 2000

Charles Hobson uses a variety of printmaking methods to construct images around historical and literary themes. The book is his primary format. Mixed media drawings scanned and printed as IRIS prints. Pages die cut by Todd Die, Oakland, California into an airplane shape based on the design of the twin-engine Lockheed Electra Amelia Earhart flew on her last flight. Accordion style binding with laser cut 8-ply illustrated cover. Edition of thirty-eight copies. University of Utah copy is no. 24, signed.

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