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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Tag Archives: exhibition

The Great War: Here and Over There, 1914-1918: A Digital Exhibition

18 Tuesday Sep 2018

Posted by rarebooks in Online Exhibitions

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exhibition, Special Collections Gallery, World War I

This digital exhibition is based on a physical exhibition in the Special Collections Gallery on display between October 10 and December 07, 2014, marking the beginning of what was referred to by contemporaries as “The Great War.” This coming November 11 marks the anniversary of the end of WWI, one hundred years ago.

The digital exhibition was created by Jon Bingham with help from Scott Beadles. We take this opportunity to say goodbye to Jon, who is moving on to greener pastures under the wild blue yonder, and wish him our very best in his new adventures. Thank you, Jon, for your great work in Rare Books.

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Boards: A-Book-Part-You-Never-Think-About-But-Is-Super-Important-Anyway

30 Thursday Aug 2018

Posted by scott beadles in Uncategorized

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Antoine Augereau, barf board, Benjamin Eliot, boards, book, bookbinders, bookmaking, Boston, Church of Jesus Christ of Latter-day Saints, Colonial America, conservators, Coptic, delaminate, Deseret News, exhibition, felts, fibers, fore-edge, Jim Croft, Jonathan Sandberg, medullary ray, Old Ways of Making Books, paper, paper mill, papermaking, Paris, pasteboard, rare book collections, Samuel Willard, scabbard, scaleboard, Scott Beadles, screen, Simon de Colines, vat, vellum, water, waterleaf, wood, wooden boards, workshop

Judge a book by it’s cover all you want. That cover just keeps on doing what it does best: protecting the book’s text. Covers allows a book to continue to convey information by taking the wear and tear of everyday use. Through the years different materials have been used to cover books.



Coptic Binding
Uncatalogued

Wood. Early books were most commonly covered with wooden boards. Rare Books has several manuscripts with Coptic bindings. These books are well-used, with uncovered wooden boards that are polished by handling, but they are often broken and then repaired with linen thread. The wood is sometimes cut similarly to modern lumber, in a straight line across the log. In the picture below you can see the curve of the tree’s growth rings. Wood is porous and expands and contracts as it takes on or loses moisture from the air. It will expand unevenly around that natural curve, warping and sometimes even cracking the board. The strongest wood boards are cut in a very different way.

Imagine you are looking down on the round end of a log. If you cut this log radially from the center as if it was a pie, two useful things happen. First, boards cut like this (called a quarter cut) resist warping because the grain of the wood is running straight up your board, instead of curving through it. Looking at the boards from the top you see little to none of the curve of the tree’s rings. This board will warp very little as humidity changes. Second, there is a structural feature in wood called the medullary ray. These rays go through the wood from the core out to the bark. They are perpendicular to the main grain of the wood, forming a remarkably durable natural plywood. Many Coptic boards break because they are made with wood that does not have prominent medullary rays.

In the above image, notice the faint curve of the grain near the middle of the left board.

In the image below, we can see the medullary rays and the tree’s grain weaving together. The lighter lines are medullary rays, the darker lines are the tree’s grain creating a strong internal structure.


Handmade book
by Jonathan Sandberg from raw materials
at Jim Croft’s “Old Ways of Making Books” workshop



He kaine diatheke
Paris: [Antoine Augereau for] Simon de Colines, [29 November or 22 December] 1534
BS1965 1534

Pasteboard. All this picky woodwork added complications to the bookmaking process. When bookmakers discovered that they could just paste together paper proofs, misprints, or offcuts to make functional boards, it became common practice to do just that. This has made for interesting discoveries as modern conservators re-bind historical books and find that their boards are made of interesting or rare texts.



Deseret News
By Church of Jesus Christ of Latter-day Saints
Volume 6. March 1856-March 1866
Uncatalogued

Waterleaf. Around the mid-sixteenth century, very soon after pasteboard began to be used, another technique for making boards was developed. If you are familiar with historical papermaking, or you’ve seen our recent paper exhibition, Paper is Fundamental, you know that paper was made by drawing suspended fibers out of a vat of water on a screen, which was then rolled onto a stack of felts. Paper makers found that if they took these raw, wet pieces of paper and compressed them together, it formed a variant of pasteboard that was less likely to separate between pages, or delaminate. Pictured here is a bound volume of the Deseret News from 1856. The very worn board is beginning to delaminate which gives us a great view of individual “pages.” Because the board is never printed on directly and almost always covered, papermakers could include fiber that would normally be unacceptable for papermaking. Here you see small pieces of cloth and thread. Historical bookmaker Jim Croft calls this kind of board “barf board” because of the jumble of reject fibers that go into its production.



The Peril of the Times Displayed
Samuel Willard
Boston : Printed by B Green & J Allen sold by Benjamin Eliot 1700
BX7233 W4292 P47 1700

Scaleboard. The first paper mill in Colonial America wasn’t established until 1690. Rather than using expensive, imported book boards, bookbinders often used thin scales of wood in their place. These scaleboards, originally called scabbards, were much too brittle for the task of protecting a book, but when covered in paper or leather they made perfectly usable covers. This book was printed in Boston in the year 1700. The leather is now peeling away, allowing us to look at the wood scale beneath. The end grain of the board is visible at the fore-edge and spine of the book, instead of the traditional head and tail. It may be quarter-cut, the end grain shows only a slight curve. The board is a little warped, but the book has been through a lot, and scaleboard wasn’t expected to do the same heavy structural work as early wooden book boards were.

~Contributed by Jonathan Sandberg, Rare Books Assistant, with photographs by Scott Beadles, Rare Books Specialist

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Exhibition — Travelers ~~ In Celebration of Peter and Donna Thomas ~~ Forty Years of Books to Go

24 Thursday May 2018

Posted by rarebooks in Physical Exhibitions

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artists' books, book artists, exhibition, fine press, hand-lettering, J. Willard Marriott Library, letterpress, miniature, papermaking, personal computer, Peter & Donna Thomas, printing, Rare Books Department, Santa Cruz, Song of the Open Road, technology, The University of Utah, travelers, Walt Whitman, Wandering Book Artists

N7433.3-W36-2011-Cover

TRAVELERS
~~~~~~~~~~
IN CELEBRATION OF PETER AND DONNA THOMAS
~~~~~~~~~~
FORTY YEARS OF BOOKS TO GO

Peter and Donna Thomas are book artists from Santa Cruz, CA. They work collaboratively and individually letterpress printing, hand-lettering and illustrating texts, making paper, and hand binding both fine press and artists’ books. Inspired by a quest for beauty and perfection, and by the potential of word, image, shape and texture to create an illuminating experience, their initial aim was to create limited edition fine press books made of the finest materials and produced to the highest standards of quality, in both full size and miniature format. This aesthetic continues to guide them as they work in new formats made possible by personal computer technology, exploring non-traditional book structures and shaped book objects as both limited editions and one-of-a-kind books. They travel the USA as the “Wandering Book Artists” giving talks, workshops and demonstrations to both academic and community-based audiences.
~~~~~~~~~~~~~~~~
Let the paper remain on the desk unwritten, and the book on the shelf unopen’d!
Let the tools remain in the workshop! let the money remain unearn’d!
Let the school stand! mind not the cry of the teacher!
Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law.

Camerado, I give you my hand!
I give you my love more precious than money,
I give you myself before preaching or law;
Will you give me yourself? will you come travel with me?
Shall we stick by each other as long as we live?
— Walt Whitman, Song of the Open Road
~~~~~~~~~~~~~~~~~~~~~

From the Rare Books Department
May 24 through September 1, 2018
Level 1 lobby, J. Willard Marriott Library, The University of Utah

Gallery talk
Thursday, June 21, 5:30pm
Level 1
Cosponsored by the Book Arts Program

 

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Rare Books Goes to Utah State University!

23 Tuesday Jan 2018

Posted by rarebooks in Rare Books Loans

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ailments, Alexa Sand, Andromachus, animal, antidotes, Antioch, antiquity, Arab, Arabic, aristocracy, artists, Athalus III, Avicenna, Baghdad, Barcelona, benefits, Bibliotheque National de France, binding, bites, border, Byzantine Renaissance, Cairo, climate, codex, Constantinople, court, covers, Criton, culture, display, doctor, drink, drugs, Egypt, Ellucasim Elimittar, exhibition, facsimile, food, formulas, French, fruits, Giovaninno de Grassi, grammarian, Graz, Greek, handbook, happiness, healing, health, Hebrew, Hellenistic, herbal, herbs, Homeric, household, hygiene, Ibn Butlan, illustration, Italian, Italy, King of Pergamum, Latin, layout, layperson, leather, magical, management, manual, Materia medica, medical, medicine, medieval, Merrill-Cazier Library, Mesopotamia, Middle Ages, mineral, miniatures, Mithridates, Moleiro, monk, movement, nature, Nero, Nestorian, Nicander of Colophon, observation, occidental, opium, pain, paper, patrician, Pedanius Dioskurides, pharmacological, physician, plants, poet, poisons, potions, publicity, rare books, reception, remedies, rest, Roman, sadness, samples, scholar, science, simples, sleep, Special Collections, stings, substances, symposium, Syria, Syrian, Theatrum sanitatis, therapeutic, toxicology, Trajan, Ububchasym of Baldach, University of Utah, Utah State University, vegetables, Venice, woman, wooden

Last semester, Rare Books loaned six of its medieval manuscript facsimiles to the Merrill-Cazier Library at Utah State University in collaboration with an art history course taught by Professor Alexa Sand. The upper-level course, “Special Topics Seminar in Medieval and Early Modern Art: Rare Books and Facsimiles,” provided a wide-ranging introduction to the interdisciplinary field of manuscript studies. The focus was the history of the codex from its advent in late Roman times to the early print era.

Each student selected a facsimile and researched its origins, history, and significance toward the final assignment of including it in a group-curated exhibition displayed in the library. The seminar concluded with a one-day symposium in which student researchers played an active role in discussion.

The materials selected for study related to botany and its medical and magical associations from late antiquity through the early modern period. Students prepared all aspects of the exhibition, from layout and display to publicity and the opening reception, working with Special Collections faculty and staff and Professor Sand.

Facsimiles on loan from Rare Books were:


Des Pedanius Dioskurides aus anazarbos arzneimittellehre in funf buchern
Ca. seventh century, Italy
Graz: Akademische Druck-u. Verlagsanstalt, 1988
R126 D56 1988

Facsimile. This manuscript is one of the oldest in the tradition of Materia medica, a pharmacological treatise written by Greek physician Pedanius Dioscorides in the first century CE. Dioscorides’ work was used by the medieval world for centuries. In the sixth century it was translated into Latin and by the ninth century it had been translated into Arabic, Syrian and Hebrew. More than four hundred plants are described in this illustrated herbal manual, each illustration bordered in red ink. The binding of wooden covers and leather accords with the character of the original.


Theriaka y Alexipharmaka de Nicandro
Nicander of Colophon
Barcelona: Moleiro, 1997
QP41 N53 1997

Facsimile. The Greek text for this codex, produced in the tenth century, was written in Constantinople in the second century BCE. Nicander, a trusted doctor, poet, and grammarian served in the court of Athalus III, King of Pergamum. In Homeric-style verses, Nicander describes poisons caused by animal bites and stings and by the ingestion of plant, animal, and mineral substances. Antidotes are given for each type of poisoning. These nearly sixty formulas were later improved upon by Mithridates, who added opium and aromatic herbs to the potions. Nicander’s work was used by Criton, the doctor of Trajan, and Andromachus, Nero’s doctor, and is the oldest extant Greek text relating to toxicology. Using this text as his basis, Andromachus compiled a list of seventy-one curative remedies – a list used until the nineteenth-century as the panacea textbook for all and any poisonings. The tenth-century codex, a product of the Byzantine Renaissance, is the only remaining illuminated copy of Nicander’s poetry. The forty-one illustrations form a part of the Hellenistic artistic tradition. The original is now housed at the Bibliotheque National de France. Facsimile edition of nine hundred and eighty-seven copies. University of Utah copy is no. 469.


Theatrum sanitatis
Ububchasym of Baldach (d. ca. 1068 AD)
Eleventh Century
Barcelona: M. Moleiro, 1999
RS79 T46 1999

Facsimile. This handbook of health was written between 1052 and 1063 CE by the Arab scholar Ububshasym of Baldach, better known throughout medieval literature as Ellucasim Elimittar. Many of the concepts used in his writing were derived from earlier Greek, Roman, and Arabic medical treatises. Good health depended upon six essential factors: climate, food and drink, movement and rest, sleep and wakefulness, happiness, pain and sadness. Plants, fruits, vegetables, and basic hygiene also affect a person’s health. Ninety-nine of these and other elements are described with the therapeutic properties of each and the ailments that may be helped by them. The illustrations were influenced by the school of Giovannino de Grassi. Two hundred and eight red-framed, nearly full-page illuminations illustrate scenes from daily life as well as the elements described.


Tacuinum sanitatus in medicina.
Graz, Austria: Akademische Druck-u. Verlagsanstalt, 1986
RS79 T335 1986

Facsimile. Northern Italy. This illuminated medical handbook was produced for a layperson – a woman of the upper aristocracy or of a rich patrician family able to read, and afford, a lavish book. A reference of sorts for the household management of health and healing, this type of book goes back to an Arab source written by the physician Ibn Butlan in the 11th century. The Arab art and science of healing decisively influenced occidental medicine and enjoyed a long-lived and distinguished reputation. The Latin translation, which made the codex accessible to the educated of the medieval western world, was widely known. Many copies survive. This particular copy is one of the finest of its kind, displaying over two hundred full-page miniatures of all that was considered important with regard to human health and well being. Beginning in the 14th century, the text was placed below an individual image. The evocative miniatures portray everyday life of late Medieval Italian culture. With a natural style and strong colors, two artists portrayed plants, animals, food, and drugs. All of the objects are within scenes centered upon a human. The text below each miniature describes both the benefits and shortfalls of the object depicted. Derived from the classical herbal tradition, but closely related to Arab manuscripts, the format follows a later western tradition. Bound in leather on wooden boards with hand stamping according to contemporary pattern.


Livre des simples medecines
Antwerp : De Schutter, 1984
QK99 A1 L58 1984 v.1

Facsimile. This late fifteenth-century manuscript is of what has become known as “Livre des Simple Medecines,” a major text of medieval science. Many manuscript copies of this work exist – at least twenty-three from the fifteenth century and one from the sixteenth century. It was first printed in 1488 and printed nine more times before 1548. In classic herbal format, Livre des simple medecines is an alphabetical list of “simples,” that is, unadulterated vegetable, mineral or animal products. Each entry provides a description and, among other things, its usefulness in treating ailments. Herbals as pharmacopeia began in ancient Mesopotamia and Egypt. The earliest surviving medical herbal is a work in Greek compiled by Pedianos Dioscorides. This work would dominate European herbals for the next fifteen centuries. It was translated into Arabic as early as the ninth century and influenced Avicenna and other physicians from the Arab world. Herbals were living works. That is, copyists, often practitioners of medicine themselves or copying for practitioners, would contribute to adapt or modify an herbal depending on new or different experience. In this tradition, the French translation here includes new sources such as ibn Butlan, an Arab physician, and others. The four hundred and fifty-seven illuminations in this copy, the Codex Bruxellensis IV, reveal an attempt by the artists to be faithful to nature. In this sense, the desire was to return to copying nature, instead of merely copying degraded illustrations from older herbals. Deliberate observation and representation of nature emerged in all forms of art in the fifteenth century. Codex Bruxellensis IV was copied onto paper. Written in maroon ink by a single hand sometime in the second half of the fifteenth century in a cursive script, the copy also contains marginal annotations by at least two sixteenth-century hands. An attempted pagination was added by a seventeenth-century hand. At some point in its history, one owner added dried samples of plants within its leaves. Facsimile edition of two thousand copies. The University of Utah copy is no. 316.


Tacuinum sanitatis/enchiridion virtutum vegetablilium, animalium, mineralium rerumque omnium: explicans naturam, iuvamentum, nocumentum remotionemque nocumentoru[m] eorum/ authore anonymo
Graz: Akademische Druck- u. Verlagsanstalt, 1984 RS79 T33 1984

Facsimile. Venice, 1490. Tacuinum Sanitatis (Handbook of Health) is the modern title given to one of the most popular treatises on medicine during the later Middle Ages. It combines Arabic and western knowledge on many types of foods, plants, and circumstances, with particular reference to their useful and harmful properties, and how the latter could be cured if necessary. The illustrated versions of this text yield much information on medieval daily life. The manuscript is comprised of 82 leaves, with four miniatures per page, a total of 294 miniatures. The captions or text are based on the Taqwin al-sihhah of Ibn Butlan (d. 1066), which was unillustrated. Ibn Butlan, originally from Baghdad, visited Cairo about 1049, after which he went to Constantinople before settling at Antioch in Syria and becoming a Nestorian monk. Facsimile edition of nine hundred and eighty copies, numbered.

Photographs of people by Andrew McAllister/Caine College of the Arts, Utah State University

Digital scans of books by Scott Beadles/Department of Art, University of Utah

Special thanks to our colleague Jennifer Duncan, Head of Special Collections, Book Curator, Merrill Cazier Library, Utah State University.

 

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Rare Books Exhibition — Enquiring Minds

16 Thursday Mar 2017

Posted by rarebooks in Physical Exhibitions

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almanacs, answers, atlases, compendiums, dictionaries, directories, encyclopedias, exhibition, facsimiles, first editions, information, Izaak Walton, J. Willard Marriott Library, lexicons, manuals, medieval, Ptolemy, questions, rare books, Special Collections Gallery, The University of Utah

EnquiringMinds(blog)

Enquiring Minds: Fourteen Centuries of Questions and Answers

Humans have been compiling information to answer an infinity of questions for thousands of years. From Ptolemy to Izaak Walton, the best minds have annotated, edited, translated, measured, arranged, and defined what it means to live a life of wonder.

From facsimiles of medieval encyclopedias, almanacs and atlases to first editions of fifteenth through twentieth century dictionaries, manuals, lexicons, compendiums, and directories, Rare Books celebrates questions and the attempts to answer them.

Keep on asking!

March 17, 2017 — April 30, 2017
Special Collections Gallery
Level 4
J. Willard Marriott Library
The University of Utah

This exhibition is free and open to the public.

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We recommend — Saints at Devil’s Gate: Landscapes along the Mormon Trail

21 Wednesday Dec 2016

Posted by rarebooks in Recommended Exhibition, Recommended Reading

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Angelina Hawkins, Ann Agatha Walker Pratt, art, artist, book, Brigham Young, Byron C. Andreasen, catalog, Church History Museum, Church of Jesus Christ of Latter-day Saints, drawings, editor, emigrant, England, English, engravings, exhibition, France, Frederick Hawkins Piercy, Hampshire, James Linforth, Jersey, John Burton, journals, landscapes, Laura Allred Hurtado, Liverpool, London, Mary Pugh Scott, Millenial Star, Mormon, Mormon Trail, New Orleans, newspaper, Orson Pratt, paintings, Paris, portraiture, Portsea, proselytizing, Royal Academy of Arts, Saints at Devil's Gate, Salt Lake City, Salt Lake Valley, ship, Suffolk Street Gallery of the Society of British Artists, The Church Historian's Office Press, Utah, Wallace Stegner, woodcuts

siantscover

“For aren’t we all on a journey that tries our faith, tests our courage, makes us vulnerable, and at times defeats us and blisters our soul?”
— Laura Allred Hurtado

Saints at Devil’s Gate: Landscapes along the Mormon Trail
Laura Allred Hurtado and Byron C. Andreasen
Salt Lake City, UT: The Church Historian’s Office Press, 2016

Catalog to accompany an exhibition of the same name at the Church History Museum in Salt Lake City. The exhibition is free and open to the public and runs through August 2017. An online exhibit is also available at history.lds.org.

ps3537-t316-g36-1964-cover

“…if courage and endurance make a story, if human kindness and helpfulness and brotherly love in the midst of raw horror are worth recording, this…is one of the great tales of the West and of America.”
— Wallace Stegner, quoted in the Curator’s Essay.

e166-p65-titlee166-p65-kanesville

Route from Liverpool to Great Salt Lake Valley Illustrated with Steel Engravings and Wood Cuts from Sketches…
Frederick Hawkins Piercy (1839-1891)
Liverpool: F. D. Richards; London: Latter-Day Saints’ Book Depot, 1854
First edition
E166 P65

“Frederick Piercy was the eighth of nine children born in Portsea, Hampshire, England. He joined the Church of Jesus Christ of Latter-day Saints on March 23, 1848, and a year later, he married Angelina Hawkins, also a convert. When Piercy was twenty and his wife was expecting their first child, he left for a short mission to Paris, France. In addition to proselytizing, he produced artwork and can be considered a predecessor to the Paris art missionaries who came years later.

“Piercy was an artist know for portraiture and landscapes, and he exhibited at the Royal Academy of Arts and at the Suffolk Street Gallery of the Society of British Artists in London prior to leaving for the Salt Lake Valley. In 1853, then twenty-three years old, Piercy left England aboard the emigrant ship Jersey, which was headed for New Orleans. He and James Linforth, an editor for the Mormon newspaper Millennial Star, published a collection of engravings and woodcuts made from Piercy’s drawings, paintings, and journals in the book Route from Liverpool to Great Salt Lake Valley. Instead of remaining in Utah like many others, Piercy returned to England shortly after his trip. By April 1857, after refusing to return to the Salt Lake Valley at the behest of both Brigham Young and Orson Pratt, Piercy and his wife left the Mormon faith.”
— Laura Allred Hurtado

e166-p65-slce166-p65-gsl

moon
— New Beginnings, John Burton, 2016 oil on canvas, from Saints at Devil’s Gate

“I never shall forget the last day we traveled, and arrived in the Valley… When my eyes rested on the beautiful entrancing sight — the Valley; Oh! how my heart swelled within me, I could have laughed and cried, such a comingling [sic] of emotions I cannot describe…No doubt our valley looks astonishingly beautiful to the strangers who come here now, but it cannot evoke the same emotions as it did to us, poor weary tired, worn out, ragged travelers.” — Ann Agatha Walker Pratt

“Behind us now are the heart aches and many thousands of silent tears that fell on the long unknown trail.” — Mary Pugh Scott
–from Saints at Devil’s Gate

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Rare Books Exhibition – SHHHHHH!

03 Thursday Sep 2015

Posted by rarebooks in Physical Exhibitions

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banned, censored, exhibition, expurgated, Galileo, Hobbes, J. Willard Marriott Library, Luise Poulton, philosophy, poetry, rare books, redacted, Salinger, science, Special Collections Gallery, Swift, The University of Utah, Twain

QB41-G14-frontispiece(edit for poster final 150dpi)

September 9, 2015 – November 1, 2015

SHHHHHH!

Curator: Luise Poulton

Special Collections Gallery, J. Willard Marriott Library, level 4
Gallery hours: Monday–Friday, 8:00–6:00; Saturday, 9:15–6:00

The exhibition is FREE and open to the public.

Rare Books presents books, pamphlets, newspapers, and magazines that were banned, forbidden, censored, redacted, expurgated, published anonymously and otherwise attempted to be kept from public consumption. From religious and political writings to science, philosophy and poetry, these pieces of paper were deemed by some too dangerous to exist. On display are first editions of Galileo’s Dialogo (1632), Hobbes’ Leviathan (1651), Swift’s Travels (1726), Twain’s Adventures of Huckleberry Finn (1884), Salinger’s Catcher in the Rye (1951) and others, too hot to handle hot off the press.

 

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Daily Utah Chronicle Article – WWI Exhibit Revels in History at the Library

06 Thursday Nov 2014

Posted by rarebooks in Chronicle, Physical Exhibitions

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Afghanistan, Daily Utah Chronicle, exhibition, J. Willard Marriott Library, military, rare books, Special Collections, Special Collections Gallery, Special Collections Reading Room, University of Utah, WWI, WWII

The Special Collections exhibition, “Here and Over There: The Great War, 1914-1918,” was featured in an article in the Daily Utah Chronicle, the University of Utah’s student newspaper.

WWI Exhibit Revels in History at the Library

Margaret Keller, a visitor at the exhibit, came because of her family’s ties to the military.

“My father served in WWI, my husband in WWII, and my great-grandson in Afghanistan,” she said. “As a military family, I think it’s important to revel in these experiences.”

The exhibition is on display through Sunday, December 7, in the Special Collections Gallery and the Special Collections Reading Room, Level 4, J. Willard Marriott Library.

alluNeedSingleLine

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Rare Books Exhibition – Here and Over There: The Great War (1914-1918)

16 Thursday Oct 2014

Posted by rarebooks in Physical Exhibitions

≈ 2 Comments

Tags

exhibition, Great War, J. Willard Marriott Library, Marriott Library, Robert Hersel Johnson (1895-1973), Special Collections, The University of Utah, World War I

WWI_poster

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Live Broadcast of Vesalius Lecture

18 Thursday Sep 2014

Posted by rarebooks in Uncategorized

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anatomy, Andreas Vesalius, art, exhibition, exhibitions, Gould Auditorium, J. Willard Marriott Library, lecture, Mark T. Nielsen, medicine, reception, Renaissance, science, The University of Utah, tour, Vesalius

Watch the live broadcast of tonight’s lecture, Renaissance Man: The Art and Science of Andreas Vesalius.

http://lib.utah.edu/services/knowledge-commons/live-broadcast/
Mark Nielsen 8x11 copy 2

September 18, 2014

Lecture: Gould Auditorium, J. Willard Marriott Library, Level 1, 6:30 PM

Reception: Special Collections Gallery, Level 4, 7:30 PM

A 45 minute tour of the exhibitions will begin at 5:30 at the west entrance, Level 1, of the J. Willard Marriott Library.

Learn more about Mark Nielsen.

 alluNeedSingleLine

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