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Curiosity Killed the Cat

16 Thursday Apr 2015

Posted by rarebooks in Uncategorized

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Ben Jonson, Cambridge, Christmas, Church of England, E. Brewster, Ebenezer Cobham Brewer, England, English, Every Man in His Humour, G. Conyers, George Wither, H. Herringman, Henry Altemus, Horace, Innominate Press, James I, Kentucky, London, Louisville, M. Wotton, Much Ado About Nothing, Philadelphia, R. Chiswell, Robert Allot, T. Bassett, The New Inn, Thomas Cotes, Thomas Hodgkin, Trinity Hall, William Shakespeare


“Helter skelter, hang sorrow, care’ll kill a Cat, up-tails all, and a Louse for the Hangman.”

THE WORKS OF BEN JONSON WHICH WERE FORMERLY PRINTED IN TWO VOLUMES…
Ben Jonson (1573?-1637)
London: Printed by Thomas Hodgkin for H. Herringman, E. Brewster, T. Bassett, R. Chiswell, M. Wotton, G. Conyers, MDCXCII
Third folio

The Works of Ben Jonson was first published in 1616 in folio. It was reprinted in 1640. Both of these editions appeared in two volumes. This, the third folio, is the first Works to appear in one volume. The 1692 edition includes a comedy, “The New Inn,” appearing in the Works for the first time. Ben Jonson was a friend of William Shakespeare. In 1616, James I granted Jonson a pension, giving him a stature close to what might be termed the first Poet Laureate of England. That same year, the publication of his collected works, in folio format, helped elevate the acceptance of drama as literature. The 1692 folio contains Jonson’s plays and poetry, translations of Horace, and a collection of leges convivales, or rules of the house, used in the tavern where Jonson spent much time, this last also added to the Works for the first time. In the third folio, the “care’ll kill a Cat” line is in Act I, scene 4 of “Every Man in His Humour,” written in 1598. William Shakespeare acted in its first performance. The line in its earliest printed iteration uses the word “pox,” not “Louse.”


PR2751-A2-1632-pg-122

“What, courage man! what though care killed a cat, thou hast mettle enough in thee to kill care.”

[MR. WILLIAM SHAKESPEARE’S COMEDIES, HISTORIES, AND TRAGEDIES: PUBLISHED…]
William Shakespeare (1564-1616)
London: Printed by Tho. Cotes for Robert Allot, 1632
“The second impression”

About one year after Jonson wrote and produced “Every Man in His Humour,” William Shakespeare used a similar quote in his play, “Much Ado About Nothing.”



“Care killed the Cat. It is said that ‘a cat has nine lives,’ yet care would wear them all out.”

DICTIONARY OF PHRASE AND FABLE: GIVING THE DERIVATION, SOURCE, OR ORIGIN OF…
Ebenezer Cobham Brewer (1810-1897)
Philadelphia: Henry Altemus Co., 1898
New ed., rev., corrected, and enl., to which is added a concise bibliography of English literature
“Altemus edition”

Ebenezer Cobham Brewer attended Trinity Hall, Cambridge where he received his degree in law in 1835. He was ordained as a reverend in the Church of England in 1838. In 1856, he began putting together his “dictionary of phrase and fable.” Among many sources, he used correspondence with readers of his previous work, Guide to the Scientific Knowledge of Things Familiar (1841). Dictionary was first published in 1870, with a first revised edition in 1894. The work became so well-known that it is referred to simply as “Brewer.”

Since we are as curious as cats, here are a few more cat references from “Brewer:”

Cat I’ the Adage (The). The adage referred to is, the cat loves fish, but does not like to wet her paws.
– Letting I dare not wait upon I would,
Like the poor cat I’ the adage
Shakespeare, Macbeth [Shakespeare, again!]

Cat Proverbs.
A cat has nine lives. A cat is more tenacious of life than other animals, because it generally lights upon its feet.


And one more makes nine:


A CHRISTMAS CAROL

George Wither
Louisville, KY: Innominate Press, 1971
PR2392 .C4 1971

Shakespeare is coming! The First Folio will arrive at the City Library in October.

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Mark Strand (April 11, 1934 – November 29, 2014), In Memorium

11 Saturday Apr 2015

Posted by rarebooks in Uncategorized

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A Poet's Alphabet of Influences, Alfred A. Knopf, Atheneum, Austin, Barbara Cash, Bembo, blind-stamp, Blizzard of One, Bonnie Sucec, BookLab, C. N. Potter, Charles Seluzicki, Columbian handpress, Crown Publishers, Curtis Rag, Darker, Day Christensen, Don Howell, Elegy for My Father: Robert Strand, Gretchen Esping, handset, Humanities Research Center, Iowa City, Ives Street Press, Jorge Luis Borges, Josef Albers, K. K. Merker, Kim Merker, Larry Yerkes, Linotype Janson, Luminsim, Maine, Mark Strand, Monotype Univers, Neil Welliver, New York, Oregon, Photo-silkscreens, Pillar Guri Press, Portland, Prose, Pulitzer Prize, Random House, Reasons for Moving, Red Butte Press, Rives BFK, Romanee, Salt Lake City, Selected Poems, Shari Madsen, Sleeping With One Eye Open, Spectrum, Stempel Helvetica, Stone Wall Press, Sweden, Texas, The Continuous Life, The Manuscript Society of America, The Night Book, The Story of Our Lives, Twinrocker Paper Mill, uncorrected proof, University of Texas at Austin, University of Utah, Van Dijck, Vandercook Test, William Pène du Bois (1916-1993), William R. Holman, Windhover, Windhover Press, woodcuts

Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life


PS3569-T69-S55-1964-pg-28

Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.


PS3569-T69-R4-1969-title[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.


PS3569-T69-D3-1970-title

Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.


PS3569-T69-E44-1973-pg-6

Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.


PS3569-T69-S7-1973-title

The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.


PQ7797-B635-T4-1975-Texas-poem

Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.


PS2569-T69-N55-1985-title-spread[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)


PS3569-T69-P76-1987[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.


PS3569-T69-B57-1998-cover

Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.


PS3569-T69-C66-1990

The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.


PS3569-T69-A6-1990-cover

Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.


PS3569-T69-P64-1994-spread

A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.

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Congratulations, Lyuba!

26 Thursday Mar 2015

Posted by rarebooks in Uncategorized

≈ 1 Comment

Tags

American, Andean, Argentina, Argentine, Cuba, Dominican Republic, English, Frida Kahlo, Fulbright, Gabriel Garcia Marquez, Jorges Borges, Latin America, Lyuba Basin, Mexican, Mexico, Pablo Neruda, Quechua, Rare Books Division, scholarship, Scott Beadles, Spanish, United States

Lyuba Hemingway

Photograph by Scott Beadles, Rare Books assistant

Congratulations to Lyuba Basin, Rare Books assistant, who received a Fulbright Scholarship for 2016. Writes Lyuba,

“It was through literature that I discovered that the world…was much larger than I first imagined. I began to read and write so as to travel to distant places…only accessible to me through my imagination…When I encountered Latin America, I realized that traveling around the world…no longer [need be] an imaginative endeavor, but a possibility within my reach. I looked for every opportunity…to learn more about many Latin American countries and their unique cultural differences. I have learned Spanish and studied abroad in the Dominican Republic and Cuba; I have been introduced to Andean cultures and the indigenous language of Quechua; I found work in a Mexican restaurant named after the influential artist Frida Kahlo, and in my free time became acquainted with authors such as Neruda, Borges, Cortázar and García Márquez. I have roamed across Latin America both mentally and physically, but now I am searching for a unique experience that will allow me to give back to a culture that has awarded me so much.

As an aspiring educator, I believe in the importance of introducing the English language and American culture in a way that does not undermine the languages and cultures of others. With this in mind, what I would bring to the classroom is a practice of sharing personal narratives cross-culturally and cross-linguistically, without judgment and without fear. For my supplementary project I intend to organize a weekly, after-school creative writing workshop…With my background in literature and writing I hope that I may encourage the students to bridge the gap between nations and share stories, poems, and songs…By providing this outlet for expression, I feel that the students will be able to apply what they learn in the classroom in a relatable way. The workshop would also allow me to get to know the students and the Argentine culture on a personal level, beyond anything I can find in books. Bringing this knowledge back with me to the United States as a collection of student work which would…[enable] others to get to know the culture intimately…”

We know Lyuba is awesome. Now the world will.

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Lines to a Robin

20 Friday Mar 2015

Posted by rarebooks in Uncategorized

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Brigham Young University, Harold B. Lee Library, L. Tom Perry Special Collections, Louisa May Alcott, Nicole LaRue

PS1017-L36-2005Lines to a Robin
Louisa May Alcott (1832-1888)
Provo, UT: L. Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University, 2005
PS1017 L36 2005

Poem composed by Louisa May Alcott in 1840 when she was 8 years old. Printed and designed by Nicole LaRue.

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Book of the Week – DICTIONNAIRE DE MUSIQUE…

24 Tuesday Feb 2015

Posted by rarebooks in Uncategorized

≈ 2 Comments

Tags

composition, dictionary, Dresden, engravings, harmony, Jean Philippe Rameau, Jean-Jacques Rousseau, music, opera, orchestra, Paris, Romantic


DICTIONNAIRE DE MUSIQUE…
Jean-Jacques Rousseau (1712-1778)
Paris: Chez la veuve Duchesne, 1768
First edition
ML108.A2 R7

Jean-Jacques Rousseau compiled this dictionary as an act of overt, radical departure from previous dissertations on music such as Jean Philippe Rameau’s rigid principles of harmony. Rousseau stressed the need for spontaneity in the composition and performance of music. For Rousseau, music was not to be an imitation of sound in nature, but a reflection of the composer’s feelings in an attempt to touch the audience in a similar sentiment. He valued vocal over purely instrumental works. Rousseau emphasized the moral power of music. Dictionnaire was instantly popular and remained so well into the Romantic period. The text is addended with engravings, including Rousseau’s celebrated plan of the opera orchestra at Dresden.

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Book of the Week – Storia Della Letteratura Italiana

18 Tuesday Nov 2014

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Bergamo, Biblioteca Estense, Brera, Etruscan, Francis III, history, Italian, Jesuit, jurisprudence, medicine, Milan, philosophy, rhetoric


Storia Della Letteratura Italiana
Girolamo Tiraboschi (1731-1794)
Roma: Per Luigi Perego Savioni, Stampator Vaticano nella Sapienza…1782-1785
PQ4035 T46 1782

Girolamo Tiraboschi was born in Bergamo and studied at the Jesuit college there. He entered the order and was appointed professor of rhetoric and belles-lettres at Brera in Milan in 1755. In 1770 he became librarian to Francis III, Duke of Modena, at the Biblioteca Estense. There he collected material for his monumental Storia, the first significant history of Italian literature, first published from 1772 to 1782.

A comprehensive work, extending from Etruscan times to 1700, Tiraboschi addressed literature in its broadest sense, including history, philosophy, fine arts, medicine, and jurisprudence. Beautifully written in a clear style, the entire work is heavily documented from sources in the Biblioteca Estense. Tiraboschi was inspired to defend Italian arts against the attacks of foreign critics, an early attempt at unifying the Italian political states through cultural bonds.

Bound as issued in publisher’s flexible boards.

Anonymous gift. Thank you, Anonymous!

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We recommend — Altered Books

03 Friday Oct 2014

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altered books, Barbara Warren Weismann, Carol Berrey, Citron Press, Doris Cox, Emily Dyer, Finch Lane Gallery, Frank McEntire, Hahnemuhle, laser print, letterpress, linen, Loné Vilnius, Nancy Steele-Makasci, Rives, Salt Lake City, screen printing, Solar Plates, Stephanie Copoulos-Selle, Stonehenge, Strathmore, The University of Utah, Waukesha, Wisconsin

Altered Books:
Offerings in (Con)text
A selection of contemporary altered books offered for interpretation

Carol Berrey, Emily Dyer, Frank McEntire, Nancy Steele-Makasci, Loné Vilnius
and others

Opening Reception
Friday, October 3, 6:00-8:00 pm

Finch Lane Gallery
1340 East 100 South
Salt Lake City, UT 84102
801-596-5000

October 3 through November 21

N7433.4-C6877-M34-2011-dragon-spread

from
Make it
Stephanie Copoulos-Selle
Waukesha, Wisconsin: Citron Press, 2011

From the colophon: “This book was printed on pages of ‘Creative Hands’ by Doris Cox and Barbara Warren Weismann. Other papers used were Rives, Strathmore, Hahnemuhle, Stonehenge, and laid linen. The text and images were printed with letterpress, Solar Plates, and screen printing. The ‘Journal’ and recipe were laser printed.” Edition of fifty copies, signed by the artist. University of Utah copy is no. 18.

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Book of the Week – Gray’s Elegy

29 Monday Sep 2014

Posted by rarebooks in Book of the Week, Uncategorized

≈ 3 Comments

Tags

architect, chromolithography, Crystal Palace, designer, embossed, English, illustration, interior designer, leather, London, New York, Owen Jones, Thomas Gray


Gray’s Elegy
Thomas Gray (1716-1771)
London, New York: Longman. Wiley and Putnam, 1846
First edition
PR3502 E5 1846

Illuminated by Owen Jones in his characteristic spidery style, this is one of the earliest examples of chromolithography, a method of book illustration that Jones was instrumental in popularizing. Owen Jones was an English architect and designer. His work on the interior of the Crystal Palace and for the Great Exhibition of 1851 brought his name as an interior designer into prominence. This is the first book issued in a kind of binding heretofore generally reserved for illuminated books – deeply embossed to imitate carved wood. The embossing was built up underneath the leather as well as from the top.

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Live Broadcast of Vesalius Lecture

18 Thursday Sep 2014

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anatomy, Andreas Vesalius, art, exhibition, exhibitions, Gould Auditorium, J. Willard Marriott Library, lecture, Mark T. Nielsen, medicine, reception, Renaissance, science, The University of Utah, tour, Vesalius

Watch the live broadcast of tonight’s lecture, Renaissance Man: The Art and Science of Andreas Vesalius.

http://lib.utah.edu/services/knowledge-commons/live-broadcast/
Mark Nielsen 8x11 copy 2

September 18, 2014

Lecture: Gould Auditorium, J. Willard Marriott Library, Level 1, 6:30 PM

Reception: Special Collections Gallery, Level 4, 7:30 PM

A 45 minute tour of the exhibitions will begin at 5:30 at the west entrance, Level 1, of the J. Willard Marriott Library.

Learn more about Mark Nielsen.

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Vesalius, Part 1 – Celebrating 500 Years of Innovation

08 Tuesday Jul 2014

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anatomical studies, anatomy, Andreas Vesalius, book design, De Corporis Fabrica, education, Gould Auditorium, J. Willard Marriott Library, Leonardo da Vinci, Mark T. Nielsen, medical texts, medicine, Renaissance, Special Collections Gallery, Spencer S. Eccles Health Sciences Library, The University of Utah, William Harvey

vesalius_wall_build-wide_06-12-14

See the J. Willard Marriott Library’s digitized 1555 edition of De humani corporis fabrica.
Learn more about our guest speaker Mark Nielsen.

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