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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Tag Archives: Boston

Works by Black Poets — Daily Utah Chronicle

07 Monday Mar 2016

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African-American, Boston, Countee Cullen, Daily Utah Chronicle, first editions, Las Vegas, London, Lyuba Basin, Maya Angelou (1928-2014), New York, Nicolás Guillén (1902-1989), Phillis Wheatley, poets, Rainmaker Editions, Random House, rare books, Toni Morrison (b. 1931)

“I think seeing first editions especially, and seeing them in the way that they would have come out is really powerful because then you kind of get to experience it in the way similar to someone would during that time.” — Lyuba Basin, Curator, Rare Books

Marriott Library’s Special Collections Showcases Works by Black Poets

See these and other first editions by African American poets in the Rare Books collection:

PS866-W5-1773-frontis 2
Poems on Various Subjects Religious and Moral
Phillis Wheatley (1753-1784?)
London: Printed for A. Bell…& sold by Mssrs. Cox & Berry, Boston, 1773
First edition
PS866 W5 1773

PS591-N4-C37-1927-cover
PS591-N4-C37-1927-pg182-183
Caroling Dusk: An Anthology of Verse by Negro Poets
Countee Cullen (1903-1946), editor
New York: Harper & Brothers, 1927
First edition
PS591 N4 C37 1927

PQ7389-G84-W4-1934-cover
PQ7389-G84-W4-1934-abuelo
West Indies, ltd.: poemas
Nicolás Guillén (1902-1989)
La Habana: Imp.Ucar, Garcia y cia., 1934
First edition
PQ7389 G84 W4 1934

PS3551-N646-O53-1993-titlePS3551-N646-O53-1993-comeclad
On the Pulse of Morning
Maya Angelou (1928-2014)
New York: Random House, 1993
First edition
PS3551 N464 O53 1993

PS3563-O8749-F58-2002-titlePS3563-O8749-F58-2002-everemembering
Five Poems
Toni Morrison (b. 1931)
Las Vegas: Rainmaker Editions, 2002
PS3563 O8749 F58 2002

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Rare Books receives donation of historic issue of Independent Chronicle and Universal Advertiser

13 Wednesday Jan 2016

Posted by rarebooks in Donations

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abolition, American, Bethel African Methodist Episcopal Church, Boston, citizens, congregation, Court-house, December, donation, Dr. Ronald Rubin, Ebenezer Rhoades, eulogy, Farewell Address, freedom, George Washington, gift, Independent Chronicle and the Universal Advertiser, pastor, Pennsylvania, Philadelphia, President, Printing-House, proprietor, rare books, Richard Allen, Ronald Rubin, sermon, slaves, Sunday, The University of Utah, Underground Railroad, Whipple

Independent-Chronicle

THE INDEPENDENT CHRONICLE AND THE UNIVERSAL ADVERTISER
Boston: Ebenezer Rhoades (for the proprietor) at the Printing-Office opposite the Court-House, Court-Street, vol. XXXII, number 1964, Monday, January 13 to Thursday, January 16, 1800

The front page of this issue begins with a eulogy for George Washington by the Rev. Richard Allen, pastor of the Bethel (Pennsylvania) African Methodist Episcopal Church. This church, founded by Allen and others in 1797, was the first Methodist church in the United States opened specifically for African Americans. Richard Allen was born into slavery in 1760. Benjamin Chew, a Quaker attorney, owned the Allen family, then sold the family to Stokeley Sturgis, a planter in Delaware. Allen was converted to Methodism by an itinerant preacher. Sturgis, apparently influenced by Allen, also became a Methodist. After his conversion, Sturgis offered to let his slaves buy their freedom. After working odd jobs for five years, in 1783, Allen purchased his own freedom for $2000. Through Methodist connections, he was invited to Philadelphia in 1786, where he joined a church and became active in teaching and preaching. A growing congregation of African Americans caused the white congregation so much discomfort that they began segregating seating and services. Allen and several others formed their own church in 1787. Allen opened a day school for African Americans and worked actively for abolition of slavery. His home was a stop in the Underground Railroad. Allen died in 1831. In his eulogy for George Washington, believed to be the first by a black minister for an American president, Allen wrote, “We, my friends, have a peculiar case to bemoan our loss. To us he has been the sympathizing friend and tender father. He has watched over us, and viewed our degraded and afflicted state with compassion and pity – his heart was not insensible to our sufferings.” This was part of a sermon he delivered on Sunday, December 29, 1799. Allen referred to the fact that Washington freed his slaves and asked that his congregation adhere to the “laws of the land” as Washington asked of United States citizens in his Farewell Address, “Your observance…will…greatly promote the cause of the oppressed…” Our copy inscribed by “Col. Whipple.” University of Utah copy gift of Dr. Ronald Rubin.

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DOC/UNDOC — Part 6/6, “Luces Brillantes”

05 Tuesday Jan 2016

Posted by rarebooks in Uncategorized

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19 poemas de Hispano América, antidotes, antiguas de libros, Antonio Frasconi, apprentice, Aproximaciones Al Estudio de La Literatura Hispańica, Ars Shamánica Performática, artista, audio, border, Boston, CD, Chicano, códices, comentarios, culturas, Doc/Undoc, drama, Edward H. Friedman, ensayos, escritor, España, español, Estados Unidos, Felicia Rice, fetishes, fragmento, frontera, Guillermo Gomez Peña, Gustavo Vazquez, historiadora, idiomas, ilegal, Inglés, Isabel Dulfano, Jennifer González, Latinoamérica, Laura Denisse Zepeda, libro, literatura hispánica, Manifesto, manuscrito, Mexico, Moving Parts Press, música, naciones, Nicanor Parra, papel japonés, performance, poemas, poesía, poeta, prosa, rare books, Rare Books de la Universidad de Utah, reliquary, saints, self-transformation, shamans, textos, toolbox, University of Utah, Zachary Watkins

During Fall Semester, 2015, University of Utah graduate students in SPAN6900-2 Analyzing Texts: Form and Content visited Rare Books. During the third and final session with Rare Books, the students were introduced to late 20th century/early 21st century fine press and artists’ books. The session ended with the premiere viewing of our copy of DOC/UNDOC Documentado/Undocumented Ars Shamánica Performática, purchased in September. Student response was so strong that managing curator Luise Poulton, in her typical over-enthusiastic way, exclaimed, “You should post your thoughts on Open Book!” Prof. Isabel Dulfano, in her own enthusiastic way, immediately took up the suggestion and made this a new assignment, right then and there. Bless the beleaguered grad students! Rare Books is pleased to present these responses, one post at a time.

From Laura Denisse Zepeda

A traveling case for apprentice shamans
A reliquary for imaginary saints
A toolbox for self-transformation
A quiet call to heal yourself with fetishes and antidotes
A border kit to face the uncertainty of future crossings
A new project, seven years in the making

Doc/Undoc photo courtesy of Moving Press Parts

Doc/Undoc photo courtesy of Moving Press Parts

“Me hicieron perder mi imaginación y la han reemplazado con miedo”, se escucha decir en voz en off en un fragmento del video que forma parte de la obra más reciente de Guillermo Gómez-Peña, DOC/UNDOC Documentado/Undocumented Ars Shamánica Performática (Moving Parts Press 2014). Esta reciente obra de la autoría del mexicano Gómez-Peña, plantea el tema controversial de “cruzar la frontera” utilizando sus propias experiencias para poder conceptualizarlo, habla de la dualidad que representa una persona que siendo documentada de un país, en este caso México, se convierte en indocumentada al cruzar la frontera y llegar a Estados Unidos.

Se puede clasificar esta obra como un “kit” artístico que incluye un DVD con el performance de Guillermo Gómez-Peña y video de Gustavo Vazquez, un CD con música de autoría de Zachary Watkins, un libro bajo el formato de la artista Felicia Rice que recoge textos del artista y escritor Gómez-Peña y comentarios de la historiadora de arte Jennifer González, todo dentro de un baúl metálico adornado con espejos, luces brillantes y una tela que asemeja la piel de un leopardo. Esta obra es un concepto de arte que rompe con todos los esquemas convencionales, es más que nada, una experiencia tangible. La obra, al contener una gama tan completa de formas, rompe las barreras que se tenían en cuanto a lo que apreciación de arte se refiere, presentando un formato interactivo, el espectador puede con esta obra no solo ver, sino también escuchar e incluso tocar.

Según la definición del libro de Aproximaciones al estudio de la literatura hispánica, el arte comprometido es el arte que implica una actitud crítica o no conformista, actitud que mantiene todo artista que tiene la obligación moral de poner su obra al servicio de una causa social o política (3). Guillermo Gómez-Peña, definido por él mismo como un artista que vende ideas, nos presenta una obra de arte comprometida, el producto resultante de siete años de arduo trabajo y dedicación. Su nueva obra, DOC/UNDOC, es una fusión de ideas basadas en la combinación de dos naciones, dos culturas, dos idiomas, que incita a romper con las nociones que se tienen actualmente de lo que una persona “ilegal” tiene que vivir en el viaje de “cruzar la frontera”. Muestra a través de métodos artísticos poco convencionales la lucha diaria que millones de mexicanos tienen que enfrentar día a día en una sociedad que rechaza el idioma español, y todo lo que conlleva la cultura de aquellos quienes lo hablan.

Nacido y crecido en la ciudad de México para después emigrar hacia Estados Unidos, convierte a Gómez-Peña en un agente intercultural, experiencia de la cual hace uso en sus obras. Su trabajo incluye performance, video, audio, instalaciones, poesía, periodismo y teoría cultural, abordando cuestiones interculturales, inmigración, política del lenguaje, y nueva tecnología en el mundo actual (Pocha Nostra).

Desde hace algunas décadas, Guillermo Gómez-Peña ha explorado a través de su arte cuestiones culturales a través del uso de “arte mixta”, y de la combinación de dos idiomas, Español e Inglés. A través de su arte que se ha desarrollado de manera continua, Gómez-Peña ha creado performances que incluyen una narrativa bi-nacional, creando lo que diversos críticos han definido como “Chicano cyber-punk performances” y “ethno-techno art” (Pocha Nostra).

Esta obra forma parte de la colección disponible en la sección de Rare Books de la Universidad de Utah. Siendo parte del grupo de SPAN 6900 Analyzing Texts: Form & Content, con la profesora Isabel Dulfano, tuvimos la oportunidad de a lo largo del semestre acudir a esta sección en varias ocasiones. La primera visita la hicimos para conocer de códices, manuscritos y glifos mayas, empezando de esta manera nuestra incursión a la literatura. Habiendo discutiendo previamente en clase los siguientes temas, tuvimos nuevamente la oportunidad de una segunda visita para conocer el concepto de manuscrito, conocimos versiones antiguas de libros que incluyen diversos géneros literarios como poesía, drama, ensayos, prosa, pertenecientes a las regiones de Latinoamérica y España. Para cerrar el semestre, acudimos una vez más a la sección de Rare Books, esta vez para conocer los diversos formatos en los que los libros más actuales son presentados, por mencionar algunas obras tenemos la obra de Antonio Frasconi, 19 poemas de Hispano América, una colección exclusiva de poemas de diversos autores, impresos en papel japonés, firmados cada uno por el artista. Otra obra es Manifesto, de Nicanor Parra, una obra en la que el autor revela lo que el considera la forma en que un poeta debería de escribir. Y como parte final, conocimos la obra de Guillermo Gómez-Peña, DOC/UNDOC, la cual aborda temas de concepto de identidad, contexto, transición, frontera y reinvención del individuo.

19 Poemas, 1969

19 Poemas, 1969

Manifesto, 1963

Manifesto, 1963

Haber tenido la oportunidad de formar parte de un grupo en el que se conoció de literatura desde sus inicios hasta la actualidad, es una experiencia que todo estudiante debería de tener, y si acaso no está dentro de su alcance el matricularse en una clase como éstas, los invito a conocer la sección de Rare Books, será una experiencia que no olvidarán.

20151201_155123

(Last paragraph translation: Having the opportunity to form part of a group that became familiar with literature from its inception to the present was an experience that every student should have. If by chance this type of class does not fit into your schedule, I invite you to visit the Rare Books collection, as it will be an unforgettable experience.)

Friedman, Edward, Virgillo, Carmelo, Valdivieso Teresa, and Edward H Friedman. Aproximaciones Al Estudio de La Literatura Hispańica. 5th ed. Boston: McGraw Hill Higher Education, 2003.
<http://www.pochanostra.com/antes/jazz_pocha2/mainpages/bios.htm>
<http://movingpartspress.com/publications/doc-undoc.>

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We give thanks

26 Thursday Nov 2015

Posted by scott beadles in Book of the Week

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Boston, Marland Family, Thanksgiving

GT4975-T4-pg1

THANKSGIVING IN THE MARLAND FAMILY
Boston: H. Hoyt, 1863
GT4975 T45

This children’s book suggests the importance of the spirit of giving as part of Thanksgiving Day.

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Book of the Week – Walden; or, Life in the Woods

19 Monday Oct 2015

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American, Baker-Andrew, Boston, engraved, environmentalism, first edition, Henry David Thoreau (1817-1862), individualism, John G. Chandler, lithography, nature, S. W. Chandler & Bro., Samuel W. Chandler, self-reliance, Sophia E. Thoreau (1819-1876), Ticknor and Fields, title page, vignette, Walden, Walden Pond, wood engraving

PS3048-A1-1854-TitlePageWALDEN; OR, LIFE IN THE WOODS
Henry David Thoreau (1817-1862)
Boston: Ticknor and Fields, 1854
First edition
PS3048 A1 1854

Embraced today as a precursor of the modern environmentalist movement, Walden is one of the most celebrated examples of American individualism and self-reliance. Thoreau’s writing emphasizes an appreciation of nature for itself rather than as a resource to be exploited – a sharp departure from the prevailing economic and religious views of the period. The engraved plan of Walden Pond inserted at page 307 was drawn by Thoreau, a professional surveyor, and lithographed by S. W. Chandler & Bro. (Samuel W. & John G. Chandler) of Boston. The vignette of Thoreau’s hut on the title-page was engraved in wood by the firm of Baker-Andrew after a sketch by Sophia E. Thoreau (1819-1876), the author’s youngest sister. Sophia adored her brother, encouraging and aiding him during his lifetime and later serving as his literary executor. Unfortunately, as an artist she was not particularly talented. Her sketch has been condemned as a feeble version of the actual structure. Eight pages of publisher’s ads (dated May, 1854) inserted between back endpapers. Original brown vertically-ribbed cloth, stamped in blind, spine ruled in blind and lettered in gilt. Original yellow coated endpapers. Edition of two thousand copies.

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Book of the Week/ Donation – Independent Chronicle and Universal Advertiser

16 Monday Feb 2015

Posted by rarebooks in Book of the Week, Donations

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"Light-Horse Harry" Lee, A. C. Hanson, Baltimore Federal Republican, Boston, Cambridge, Confederate, Congress, Continental Army, Dr. Ronald Rubin, Ebenezer Rhoades, George Washington, Henry Lee, Independent Chronicle and Universal Advertiser, John Adams, Pennsylvania, Philadelphia, Robert E. Lee, Salem, The Essex Gazette, The New-England Chronicle, Uniform Monday Holiday Act, United States, University of Utah, War of 1812, Whiskey Rebellion

Independent Chronicle, 1800Independent Chronicle and Universal Advertiser
Boston: Ebenezer Rhoades, 1800

“First in war, first in peace, and first in the hearts of his countrymen, he was second to none in the humble and endearing scenes of private life: pious, just, humane, temperate and sincere; uniform, dignified and commanding, his example was as edifying to all around him, as were the effects of that example lasting.”

George Washington’s death, late in 1799, evoked hundreds of funeral orations from all over the United States. Of these, that of Henry Lee, delivered before Congress on December 26, 1799 in Philadelphia, is the most memorable. His eulogy was re-printed in newspapers throughout the nation, and in pamphlets printed on the continent and overseas. The eulogy covered nearly the entire front page of newspapers.

As in many newspapers, this issue included “A Proclamation” signed by then-President John Adams setting aside February 22, Washington’s birthday, for the public to “testify their grief for the death of General George Washington.” In 1885, February 22 was declared a federal holiday. The date was changed to the third Monday of February in 1971 following Uniform Monday Holiday Act.

“Light-Horse Harry” Lee had been summoned by Washington in 1776 to join the Continental Army. In 1778, Washington promoted Lee to the rank of major and gave him command of a small corps of irregulars. Lee’s leadership of these troops earned him his nickname. In 1794 Washington sent him to command the suppression of the Whiskey Rebellion in western Pennsylvania. From 1799 to 1801 he served in Congress.

Lee helped his friend A.C. Hanson, editor of the Baltimore Federal Republican which opposed the War of 1812, resist a mob attack. In the melee he received injuries from which he never recovered. Lee served a year in debtor’s prison. He was the father of Confederate General Robert E. Lee.

The Independent Chronicle (1776-1840) originated in 1768 as The Essex Gazette in Salem and The New-England Chronicle in Cambridge which joined forces in Boston. In 1820 it had the distinction of being Boston’s oldest running newspaper.

University of Utah copy gift of Dr. Ronald Rubin.

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Book of the Week – The American Ladies’ Memorial: an Indispensable…

15 Monday Sep 2014

Posted by rarebooks in Book of the Week

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American, arrangements, behaviour, Boston, Cornhill, embroidery, etiquette, floral, guide, illustrations, lacework, ladies, lady, memorial, millinery, patterns, spine, toilette, woodcut, wrappers


The American Ladies’ Memorial: an Indispensable…
Boston: Published at 60 ½ Cornhill, 1850
First edition
HQ1221 A534 1850

A guide to acceptable behavior for nineteenth-century American ladies, with emphasis on acceptable occupations and amusements. From this little book, the lady may learn about etiquette, embroidery, lacework, dress-making, millinery, floral arrangements, toilette and much, much more. The lady is helped with woodcut illustrations throughout, including numerous embroidery and lacework patterns. Yellow printed wrappers, stitched at the spine.

 

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Book of the Week – An Alphabetical Compendium of Various Sects…

25 Monday Aug 2014

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bookselling, Boston, Edes, England, geography, Greek, Hannah Adams, Jewry, John Adams, Latin, logic, Massachusetts, religion, Shakers, Unitarian, United States


An Alphabetical Compendium of Various Sects…
Hannah Adams (1755-1831)
Boston: Printed by B. Edes & Sons, 1784
First edition
BL31 A3 1784

Hannah Adams was one of the first women in the United States to make a living as writer. Born in Massachusetts, Adams was a distant cousin of President John Adams and the daughter of a lifelong bibliophile called “Book” Adams, who failed an attempt at bookselling. Too frail to go to school, she was taught Latin, Greek, geography and logic along with theological students who boarded with her family.

One of the students introduced her to Broughton’s Dictionary of Religions, which led to her interest in writing on religion. At the age of seventeen, her father faced bankruptcy. Adams helped sustain the family by selling her lace and by teaching. The sale of her books added to her income.

Alphabetical Compendium was an important contribution to American religious literature. In her book, Adams (a Unitarian) represented denominations from the perspective of their adherents, without injecting her own opinions. It includes one of the earliest accounts of the Shakers and a description of contemporary Jewry. This work went through four editions in the United States, each under a different title, and was also published in England.

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Book of the Week – Types and Bookmaking: Containing Notes on the…

07 Monday Apr 2014

Posted by rarebooks in Book of the Week

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book collector, bookmaking, bookplate, Boston, Bruce Rogers, D.B. Updike, Denmark, Estelle Doheny, Fred Anthoensen, Frederick William Anthoesen, Maine, morocco, Portland, Southworth Press, The Southworth-Anthoensen Press, type, type specimens, typographic, typographic ornaments, typography, United States

Anthoensen, Types and Bookmaking, 1943, Title Page
Anthoensen, Types and Bookmaking, 1943, Type
Anthoensen, Types and Bookmaking, 1943, Decoration

Types and Bookmaking: Containing Notes on the…
Fred Anthoensen (1892-1969)
Portland, ME: The Southworth-Anthoensen Press, 1943

Frederick William Anthoensen was born in Denmark, but came to the United States as an infant. He attended school in Portland, Maine. He became interested in printing under the influence of D.B. Updike and Bruce Rogers, both of Boston, and both heavy hitters of early US twentieth-century typography. In 1901, Anthoensen began working as a compositor for Southworth Press. Seventeen years later he became its managing director. In 1934, the name of the press changed its name to Southworth-Anthoenson Press. After 1944, it became Anthoensen Press. Anthoensen was recognized as an exemplary craftsman in his day.

Contains type specimens, typographic ornaments and flowers, and specimen pages, accompanied by a descriptive catalogue. Bound in full charcoal linen buckram with black morocco spine.  Issued in slipcase. University of Utah copy contains bookplate of book collector Estelle Doheny.

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Brooke Hopkins, In Memoriam

23 Friday Aug 2013

Posted by rarebooks in Donations

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19th century, Alexander Pope, apprentice, Baltimore, Baltimore Sun, Basil Manly, Benjamin Edes, bookselling, Boston, Boston Tea Party, Brooke Hopkins, Cambridge, cartographer, Charles Manly, Childe Harold, cholera, Columbian press, compositor, Daniel Boone, Dante Alighieri, descriptive letterpress, engraved, engraved plates, engraved vignettes, Eton, Europe, Fielding Lucas, Francis Scott Key, George Gordon Byron, Greek, Henry Franci Cary, Henry St. John Bolingbroke, Homer, Horace Walpole, Iliad, initials, James Adams, John Conrad, John Dryden, John Fox, Jon Filson, Jr., Kentucky, law, letterpress, Lord Byron, M. Gustave Dore, Maine, manuscript, maps, Maryland Historical Society, Maryland Institute College of Art, melancholy, Negro suffrage, newspaper, Norwich, Ohio, pamphlets, Pennsylvania, Pennsylvania Convention, Peter Edes, Philadelphia, Philidelphia Library, Philip H. Nicklin, poetry, print, printer, printing, printing shop, publisher, Raleigh, rare book collections, Rare Books Division, Richard Bentley, Robert Strange, Roman Catholic, Samuel Sands, Sir Thomas Browne, Star Spangled Banner, stationer, Thomas Gray, Tory, typesetting, United States, University of Alabama, University of North Carolina, vignettes, Virgil, War of 1812, Washington Monument, William Fry, Wilmington

The staff of the Rare Books Division extends its heartfelt condolences to the family of Brooke Hopkins. Professor Hopkins was a friend of the rare book collections through his donation of several books, each of which has been used by students for research and the Rare Books staff for lectures, presentations, and exhibitions. We are ever grateful for his generous support. Thank you, Brooke. Memory eternal!

Brooke Hopkins

 

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence…
–Lord Byron from Childe Harold

 

 

U Mourns Death of Beloved English Professor Brooke Hopkins

PSEUDODOXIA EPIDEMICA
Sir Thomas Browne (1605 – 1682)
London: Printed by R.W. for N. Ekins, at the Gun in Paul’s church-yard, 1658
Third edition, corrected and enlarged by the author

In this famous book, the writer and physician from Norwich demonstrated the absurdity of commonly presumed truths. Among the traditions which Thomas Browne deposed of were the beliefs that “The Elephant hath no joynts, That an Horse hath no Gall, That the Chameleon lives only by Aire, That the Ostridge digesteth Iron; That the forbidden fruit was an Apple; That our Savior never laughed, That a man have one rib lesse than a woman, That there was no Rainbowe before the flood.” University of Utah copy gift of Brooke Hopkins.

Browne, Pseudodoxia Epidemica, 1658
Browne, Pseudodoxia Epidemica, 1658

DESIGNS BY MR. R. BENTLEY FOR SIX POEMS
Thomas Gray (1716-1771)
London: R. Dodsley, 1753
First edition

English poet Thomas Gray was educated at Eton in Cambridge. There he met Horace Walpole, the father of the Gothic novel, and traveled with him throughout Europe. After his return to Cambridge, where he remained for most of his life, Gray lived in seclusion. Much of Gray’s poetry was tinged with melancholy. Richard Bentley (1708-1782), another friend of Walpole’s, created illustrations for several of Gray’s poems. Gray admired the drawings very much. This book contains six engraved plates, thirteen engraved vignettes, and six engraved initials by Muller and Grignon based upon designs by Robert Bentley. University of Utah copy on loan from Brooke Hopkins.

Gray, Designs by Mr. R. Bentley, 1753
Gray, Designs by Mr. R. Bentley, 1753


THE DISCOVERY, SETTLEMENT, AND PRESENT STATE OF KENTUCKE: AND AN ESSAY TOWARDS THE TOPOGRAPHY AND NATURAL HISTORY OF THAT IMPORTANT COUNTRY; TO WHICH IS ADDED, AN APPENDIX, CONTAINING, I. THE ADVENTURES OF COL. DANIEL BOON, ONE OF THE FIRST SETTLERS, COMPREHENDING EVERY IMPORTANT OCCURRENCE IN THE POLITICAL HISTORY OF THAT PROVINCE. II. THE MINUTES OF THE PIANKASHAW COUNCIL, HELD AT POST ST. VINCENTS, APRIL 15, 1784. III. AN ACCOUNT OF THE INDIAN NATIONS INHABITING WITHIN THE LIMITS OF THE THIRTEEN UNITED STATES…IV. THE STAGES AND DISTANCES BETWEEN PHILADELPHIA AND THE FALLS OF THE OHIO; FROM PITTSBURGH TO PENSACOLA AND SEVERAL OTHER PLACES. THE WHOLE ILLUSTRATED BY A NEW AND ACCURATE MAP OF KENTUCKE AND THE COUNTRY ADJOINING, DRAWN FROM ACTUAL SURVEYS…
John Filson (ca. 1747-1788)
Wilmington, DE: Printed by James Adams, 1784
First edition

Land speculator John Filson’s early history of Kentucky contained, among other appendices, a narrative of Daniel Boone. Filson was the first American to write about the area. The book was very popular and helped influence the decision of many to migrate to this newly opened land. A tipped-in map is missing in most copies, as it is in this one. The map is so rare that antiquarians began to suspect that there never was one, in spite of reference to it on the title page. However, the Philadelphia Library has a copy with map intact. The map, drawn by Filson, was printed separately in Philadelphia. Filson was killed by Indians of the Ohio. University of Utah copy gift of Brooke Hopkins.

Filson, The Discovery…,1784
Filson, The Discovery…,1784
Filson, The Discovery…,1784


AN ESSAY ON MAN: IN FOUR EPISTLES TO H. ST. JOHN, LORD BOLINGBROKE
Alexander Pope (1688-1744)
New York: Printed and sold by Smith & Forman, 1809

Alexander Pope’s Essay on Man, first published in 1733, was a philosophical work consisting of four epistles in couplets and addressed to his friend, Henry St. John Bolingbroke, head of the Tory ministry. University of Utah copy gift of Brooke Hopkins.

Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809


THE ILIAD OF HOMER TRANSLATED FROM THE GREEK BY ALEXANDER POPE
Homer
Baltimore: Philip H. Nicklin, 1812

Stationer Philip H. Nicklin (1786-1842) studied law. Due to financial difficulties after the death of his father in 1807, Nicklin began selling books, first in Baltimore then in Philadelphia. After 1827, he confined his bookshop’s inventory to law. He retired in 1839, having earned enough money to live out his life in comfort. He occupied the rest of his short life with writing, mostly about literary copyright. This book, although sold from Baltimore, was printed in Philadelphia by Fry and Kammerer. William Fry (d. 1854) formed a printing partnership with Joseph L. Kammerer in 1806. Fry was a well-respected pressman, compositor and proof-reader. Fry and Kammerer separated in 1810, but renewed their joint printing efforts a year later. In 1814, Kammerer died. Fry was the first to use the newly developed Columbian press, and ordered several of them for his large print shop. Added title-page engraved. University of Utah copy gift of Brooke Hopkins.

Pope, An Essay on Man, 1809
Pope, An Essay on Man, 1809


THE POETICAL WORKS OF LORD BYRON…: CONTAINING ALL HIS POEMS, ORIGINAL AND TRANSLATED, FROM THE LATEST EDITIONS
George Gordon Byron (1788-1824)
Baltimore: B. Edes, 1814

Benjamin Edes, the son and grandson of printers from Maine and Boston, continued the family business in Baltimore, where he worked as job printer and printed the newspaper, The Minerva and Emerald. Benjamin was an officer in the 27th Militia during the War of 1812 and supposedly printed the first version, in the form of handbills, of Francis Scott Key’s poem, “The Star Spangled Banner.” According to one story, the manuscript was taken to Edes’ printing shop, located on the corner of Baltimore and Gay Streets. Edes was on duty with his regiment, so the typesetting and printing was done by his apprentice, Samuel Sands, only twelve years old. Benjamin’s father, Peter Edes, moved from Boston to work for Benjamin, typesetting and keeping account books until 1832. Peter’s wife and Benjamin died that year of cholera. Peter returned to Maine, where he died in 1840. At the time of his death, according to his obituary in the Baltimore Sun, he was the oldest printer in the United States. Benjamin Edes’ grandfather, after whom he was named, participated in the Boston Tea Party. He was the printer of The Boston Gazette and Country Journal. University of Utah copy gift of Brooke Hopkins.

Byron, Poetical Works, 1814
Byron, Poetical Works, 1814
Byron, Poetical Works, 1814


THE WORKS OF VIRGIL TRANSLATED INTO ENGLISH VERSE, BY JOHN DRYDEN
Virgil
Baltimore, MD: F. Lucas, Jun., 1814

Fielding Lucas, Jr. (1781-1854) was a prominent publisher and cartographer in the early 19th century. He was especially recognized for his excellently produced maps. Lucas founded his first print shop in 1804 and became the first stationer of the newly formed United States. In 1806, Lucas became a partner in the Philadelphia publisher and bookselling firm, M. & J. Conrad, which focused on schoolbooks, maps, atlases, art instruction, children’s literature and Roman Catholic religious material. Baltimore, in most part because of Lucas, became the major center for Roman Catholic publishing through the beginning of the twentieth century. Lucas was a leader in the effort to raise funds for the Washington Monument. He was a founder of the Maryland Historical Society and the Maryland Institute College of Art. Added engraved title-page printed in Philadelphia by John Conrad. University of Utah copy gift of Brooke Hopkins.

Virgil, Works, 1814
Virgil, Works, 1814
Virgil, Works, 1814


THE POETICAL WORKS OF ALEXANDER POPE: IN THREE VOLUMES COMPLETE, WITH HIS LAST CORRECTIONS, ADDITIONS, AND IMPROVEMENTS, TOGETHER WITH ALL HIS NOTES AS THEY WERE DELIVERED TO THE EDITOR A LITTLE BEFORE HIS DEATH TOGETHER WITH THE COMMENTARY AND NOTES OF MR. WARBURTON
Alexander Pope (1688-1744)
Philadelphia: S. A. Bascom, 1819

University of Utah copy gift of Brooke Hopkins.

Pope, Poetical Works, 1819
Pope, Poetical Works, 1819


ADDRESS DELIVERED BEFORE THE ALUMNI AND THE SENIOR CLASS OF THE UNIVERSITY OF NORTH CAROLINA…
Charles Manly (1795-1871)
Raleigh, NC: Printed by T. Loring, 1838

A collection of miscellaneous pamphlets including, “An address delivered before the two literary societies of the University of North Carolina” by William B. Shepard; “Opinion of John Fox against the exercise of Negro suffrage in Pennsylvania, also, The vote of the members of the Pennsylvania Convention; Address of his excellency Governor Bagby: when inducting into office the president of the University of Alabama, together with The address of the president Rev. Basil Manly; An address delivered before the two literary societies of the University of North Carolina by Robert Strange; and Report of Chas. B. Shae on the drainage of the swamp lands of North Carolina. University of Utah copy gift of Brooke Hopkins.

Manly, An Address…, 1838
Manly, An Address…, 1838
Manly, An Address…, 1838


THE VISION OF HELL
Dante Alighieri (1265-1321)
London: Cassell, Petter, and Galpin, 1866
New edition: with critical and explanatory notes, life of Dante, and chronology

Translated by Henry Franci Cary. Illustrated with the designs of M. Gustave Doré. Each plate accompanied by leaf with descriptive letterpress. University of Utah copy on loan from Brooke Hopkins.

Dante, The Vision of Hell, 1866
Dante, The Vision of Hell, 1866
Dante, The Vision of Hell, 1866

 

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