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~ News from the Rare Books Department of Special Collections at the J. Willard Marriott Library, The University of Utah

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Tag Archives: University of Utah

“Time travel exists” – University of Utah student Mary Royal writes about Rare Books impact

22 Friday May 2015

Posted by rarebooks in Uncategorized

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1790, Alison Conner, America, American Revolution, Benjamin Franklin, Civil War, Euclid, First Acts of the First Session of Congress of the United States, Gutenberg Bible, history, John Locke, Luise Poulton, Marriott Library, Mary Alicia Royal, Nathaniel Rochester, New York, printing, rare books, Reformation, Rochester, S. J. Quinney College of Law, Special Collections, University of Utah, War of 1812

Time travel exists. On the fourth floor of the Marriott Library I have sat with the founding fathers as they pondered the questions facing the new nation on the heels of the American Revolution, been astounded at the invention of movable type in the revolution of the printing process, and solved mathematical principles with Euclid. While the famous people who turned the wheels of history are not miraculously hiding out on the U’s campus, the works they created are.

QA31-E86-E5-1482-FirstPage

The rare books collection holds treasures from all corners of the globe that are available to anyone who wishes to uncover the magical milestones in history that helped to shape our present reality. A simple trip to the rare books will undoubtedly inspire and present questions that will lead to more trips back to the collection.

My freshman year at the U I took a class on the Reformation. The syllabus for the course dictated that on a certain day we would gather at the rare books collection at the library. At the time I didn’t know what to expect, and I certainly didn’t realize that this one time excursion out of the classroom and into the library would forever change my experience at the U and my understanding and passion for the study of history.

My class filed into the special collections classroom and were told to wipe our hands with baby wipes. As we cleaned our hands a large hardbound book was set before us. The book was obviously old and as the cover was opened to reveal the pages inside, it was clear it was not of this era. The thickness of the pages, paired with the indentation of the lettering on the page served as clues into a past that was far richer than any normal book in the shelves standing in the library below.

As I stared at the pages, completely enamored by their coloration, markings and engravings, the curator explained that the page sitting before us was an original leaflet of the Gutenberg Bible. Yes, that Gutenberg Bible, the first book printed after the invention of movable type. My heart started racing. I was standing in the same room, feet away from one of the most influential pieces of history in the world. This excitement I felt was multiplied when we were informed that we could come forward and hold it in our hands.


I think I partly expected to have to put on special gloves and admire the copy under glass. But as I moved up in the line, it became clear that I could hold the copy, no gloves, no glass, just me and the book. When the curator put the book in my hands, it was a feeling that I had never felt before. I can only explain it as a mixture of admiration, gratitude, and awe. For those brief moments that I held the leaflet of the Gutenberg Bible in my bare hands, the past and present collided. I was touching the same pages that came off the press nearly 550 years earlier.

I ran my hand over the page and could feel the indentations of the letters, and smell the old fibers of the paper. From this point on my experience at the U was forever changed. It wasn’t long after that trip to the rare books that I made the decision to declare my academic major in history. Every history class I took from that moment until my graduation I would find myself returning to the rare books.

Walking through the doors of the collection, for me, was like taking a step outside of the busy world we live in, to spend a few unadulterated moments with my historical friends. There have been times over the years that I have admittedly been moved to tears at the sight of certain books, and have felt completely unworthy to be in their presence. This happened recently during a project for my Worlds of Benjamin Franklin class.

As a requirement of the course we had to pick a book in the rare books to study and report on. After meeting with Luise Poulton, who was more than willing to sit down with me and explore options for the project, I decided upon the First Acts of the First Session of Congress of the United States. The cover of the book had completely separated from the spine of the book and the pages were old, some of them bent, with writing and notes filling the inside.


As I carefully turned the pages, I was overcome with the sense that I was holding a piece of America. This book is a first edition that was printed in 1790. As I researched the book, I discovered that this particular one was once the property of Nathaniel Rochester, a veteran of the Revolutionary War and the founder of Rochester, New York. As I began to unveil the history lurking behind the signatures on the inside cover I discovered that the book had also gone through the hands of veterans of the War of 1812 and the Civil War as well as influential legal minds in our country’s formative years. And finally, as I sat in the rare books reading room, I became the next person in the storied line of individuals who had the fortune of being part of this book’s history.

As a new graduate of the University of Utah’s History department I’ve spent recent days reflecting on my time at the U. During this reflection I have pondered on both the people that shaped my experiences as well as places that aided in the enrichment of educational pursuits. Although I have encountered multiple people and places that influenced the completion of my degree, I can say, without hesitation, that the rare books collection had the greatest impact on my desire to study history.

While my time in undergrad has come to an end, my relationship with the rare books collection is far from over. As I begin my legal studies at the U’s SJ Quinney College of Law this fall, I know I will find myself visiting a new set of historical friends. I’m confident the writings of John Locke have untold stories and lessons to teach me as I pursue my juris doctorate.


I have told Luise Poulton and Alison Conner, curators in the rare books department, on multiple occasions that I wish I could spend all day in the collection, going through the pages of history that the U has been charged with the immense responsibility of caring for. My wish for future generations of students at the U is that they have the opportunity, to visit the collection and experience the unparalleled feeling and emotion that accompany the opportunity to hold history in your hands. How lucky we are, as students past and present of the U, to have access to such a resource!

Mary Alicia Royal, BA, Class of 2015

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Forty Years, in memoriam

30 Thursday Apr 2015

Posted by rarebooks in Book of the Week

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American, aquatint, Boulder, British, Buddha, C. David Thomas, China, Cochin China, collage, Colorado, communists, Cornwall, Daphne, Dong Ho, drawings, Earl of Macartney, Edinburgh Review, Emperor of China, English, Foreign Languages Publishing House, Fred Siegenthaler, French, Fulbright Scholar, George Schneeman (1934-2009), GI Bill, Granary Books, Hanoi, helicopter, Hermetic Press, Ho Chi Minh, HP Photosmart Pro B9180, Huu Mai, Indochina, injet printer, International Volunteer Services, Italy, J. Willard Marriott Library, Jeff Branin, John Balaban, John Simon Guggenheim Fellowship, Kawabata Press, Korea, Lancashire, letterpress, London, love, magnesium plates, Massachusetts, Millbrook, Minneapolis, Muttenz, National Book Award, National Poetry Society of America, Nepal, New York, Norman Morrison, North Carolina State University, North Vietnam, Orient, Oxford, paper, papermaking, Phan Ke An, Phi Kappa Phi Honor Society, philately, Philip Gallo, Pleiku, poems, portfolio, postage stamps, President, propaganda, puzzle, Raleigh, Rhamnoneron blansae, Rhode Island School of Design, Richard Nixon, Rives 300 gm, Robert McNamara, Robert W. Chandler, Sir John Barrow (1764-1848), South Hinksey, South Vietnam, Strand, Switzerland, T. Cadell, Ted Berrigan (1934-1983), Tet Offensive, Torpoint, United States, University of Minnesota, University of Tulsa, University of Utah, US Army, Verona, Vietnam, Vietnam War, Vietnamese, W. Davies, Walter Jones, wars, Wellesley, Westview Press, William Alexander, William Carlos Williams Award, woodblock printing



A Voyage to Cochinchina, in the Years 1792 and 1793: containing a general view of the valuable productions and political importance of this flourishing kingdom, and also of such European settlements as were visited on the voyage: with sketches of the manners, character, and condition of their several inhabitants…
Sir John Barrow (1764-1848)
London: Printed for T. Cadell and W. Davies in the Strand, 1806
First edition
DS506 B37 1806

John Barrow traveled with the Earl of Macartney to Cochin China, now known as Vietnam; Madeira; Jamaica; Rio de Janeiro; Java; and Djarkarta as part of the first British embassy to China, from 1792 to 1794. Barrow acted as official interpreter to the Emperor of China, who was contemptuous of the entire mission and dismissed it almost immediately. The Edinburgh Review, October 1806, was as underwhelmed with the Barrows book as the Emperor was with the British: “His views are often narrow, and oftener unsound…deceived by imperfect information.” Barrow had published a work on his travels to China in 1804 and was known as an expert on the Orient. His work evinced a belief in the superiority of British civilization. His extensive notes on Cochin China range from its history to particulars about its art, architecture, and religious ceremonies. According to Barrow the substance of his writings were taken from a manuscript memoir by Captain Barissy, a French naval officer who had commanded a frigate in the service of the King of Cochinchina. Barrow was the son of a Lancashire tanner, educated in the local grammar school. He became a teacher of mathematics to young men headed for a career in the navy. Illustrated with nineteen aquatint plates taken from drawings by William Alexander who also traveled with Macartney. This is the first illustrated English work on southern Vietnam.




The Beacon Banner: Short Stories about the War of Resistance in Vietnam
Huu Mai, et al.
Hanoi: Foreign Languages Publishing House, 1964
First edition
PZ1 B356 PL4382 E2

Illustrations by Phan Ke An.




Vietnam Poems
John Balaban (b. 1943)
South Hinksey, Oxford: Carcanet Press, 1970
PS3552 A44 V5 1970

During the Vietnam War, John Balaban performed alternative service as a conscientious objector. He went with the International Volunteer Services to Vietnam where he taught until the Tet Offensive during which he was wounded in the shoulder by shrapnel. Balaban has been awarded The Academy of American Poets’ Lamont prize, a William Carlos Williams Award from the National Poetry Society of America, a John Simon Guggenheim Fellowship and was twice nominated for the National Book Award. He was named the 2001-2004 National Artist for the Phi Kappa Phi Honor Society. In addition to writing, he is a translator of Vietnamese poetry. He is Poet-in-Residence and Professor of English in the creative writing program at North Carolina State University in Raleigh. Edition of six hundred copies.




Nam
Jeff Branin
Millbrook, Torpoint, Cornwall: Kawabata Press, 1981
PS3552 R318 N35 1981

Jeff Branin served a tour of duty in the Vietnam War in 1968 and 1969, building bunkers and latrines and serving as a replacement commanding officer. In these poems Branin writes of rocket attacks, casualties, atrocities against civilians and sexual misadventures using the jargon of the Vietnam-era US soldier.




War of Ideas: the U.S. Propaganda Campaign in Vietnam
Robert W. Chandler
Boulder, CO: Westview Press, 1981
DS559.8 P65 C45 1981

This book focuses on advertisement techniques used as propaganda by the United States during the Vietnam War. Many of these pieces were taken by American anti-war campaigns for use in their own material. Chandler writes that US propaganda in Vietnam was targeted toward three groups: communists and communist supporters in South Vietnam, masses and elite in North Vietnam, and non-communists in South Vietnam. University of Utah copy gift of Walter Jones, as part of his Collection on the Vietnam and Indochina Wars, donated to the J. Willard Marriott Library in 2011.




In the Nam What Can Happen?
Ted Berrigan (1934-1983) and George Schneeman (1934-2009)
New York: Granary Books; Minneapolis: Hermetic Press, 1997
PS3552 E74 I656 1997

Ted Berrigan was a poet at the epicenter of the sixties literary underground. He served in the US Army, sent to Korea in 1954, where he did not see action. He earned a BA in 1959 and an MA in 1962 from the University of Tulsa under the GI Bill. George Schneeman received a BA in Philosophy and English Literature from St. Mary’s College, began graduate work in English Literature at the University of Minnesota and then enlisted in the US Army. Posted in Verona, Italy, Schneeman began painting. From the colophon: “First made as a one-of-a-kind collaborative book in 1967-68…The present edition is a simulation of the original…” From Granary Books: “The original was passed back and forth between Ted Berrigan and George Schneeman for about a year, remaining in the hands of one or the other for weeks or even months at a time – poet and artist each adding, subtracting, working over words and images. The material used were pen and ink, white acrylic paint and collage…The ‘finished’ project languished in a drawer in Schneeman’s studio on St. Mark’s Place for thirty years. Produced when the Vietnam War was rapidly escalating, this work is by turns surreal, incisive, hip, outrageous, cartoon-like, flip, sinister, humorous, dreamy, sarcastic, witty – always right on target – a vivid evocation of the times and the broad range of emotional responses to the War.” Letterpress printed in several colors from magnesium plates on Rives 300 gm paper by Philip Gallo at The Hermetic Press. Unbound gatherings in a plexiglass case. Edition of seventy copies, twenty lettered (a-t), hors de commerce. University of Utah copy is no. 42, signed by Berrigan and Schneeman.




Vietnamese Hand Papermaking and Woodblock Printing
Fred Siegenthaler
Muttenz, Switzerland: Paper Art, 2003
TS1095 V53 S54 2003

Fred Siegenthaler writes on the nearly extinct traditional manufacture of paper in Vietnam: processes of making inks, paper, and printing. The book includes paper and print samples from Dong Ho, a village famous for its woodblock printing, located just outside of Hanoi. Included are fourteen different original hand papers and six colored original woodcuts. From the colophon: “The text of this book is printed on paper made of Rhamnoneuron blansae…handmade multilayered Daphne paper from Nepal was used for the cover of the book.” Edition of fifty copies, signed by the author.


N7433.4-T478-C4-2009
Christ Meets Buddha
C. David Thomas
Wellesley, MA: C. David Thomas, 2009
N7433.4 T478 C4 2009

In 1968, C. David Thomas joined the US Army and was sent to Pleiku, South Vietnam as a combat engineer and artist. Thomas drew a picture of a fellow soldier’s girlfriend. In lieu of payment for the drawing he asked his friend, who worked in personnel, to change his records and shorten his stint in Vietnam from twelve to eleven months. Thomas was able to return to the United States weeks earlier than originally scheduled. The helicopter on which he routinely rode was shot down during what would have been the twelfth month of his tour of duty. There were no survivors. Thomas holds an MFA from the Rhode Island School of Design. He was a recipient of a Fulbright Scholar Grant to Vietnam. Thomas describes Christ Meets Buddha as autobiographical and a metaphor for his life. The digitally-created puzzle pieces contain religious imagery, war imagery, and family photographs. From the colophon: “These artist’s puzzle books are comprised of the six separate images…Each image is presented in its own linen box made by craftsmakers in Hanoi, Vietnam. All assembled puzzles are 29×23 inches made from twenty individual pieces. Each puzzle piece is printed using archival paper and ink by an HP Photosmart Pro B9180 inkjet printer. The pieces are then mounted on black felt and handcut…” Edition of ten copies. University of Utah copy is no. 1, signed by the author.




Postage Due: Forever Stamps
C. David Thomas
Wellesley, MA: C. David Thomas, 2009
N7433.4 T478 P67 2009

A series of unofficial postage stamps inspired by people and events from the Vietnam War era. From the introduction: “I never really thought about the importance of how we chose what images to place on our stamps until one day in 1995, when I went to the post office and asked for an interesting stamp. The woman behind the counter handed me a sheet of the recently issued Richard Nixon stamp. This stamp was issued only twenty years after he was forced to resign in disgrace as the 37th President of the United States. Needless to say, I handed them back to her with some choice words…in 1996 I went to the philately society in Hanoi, Viet Nam while doing research for a book on President Ho Chi Minh. I found dozens of stamps of Ho Chi Minh…and…a 1966 stamp depicting the shooting down of the 1,500 US aircraft brought down over North Viet Nam and one with the image of Norman Morrison, the man who immolated himself outside Robert McNamara’s office at the Pentagon. Just a few days before the US Post Office issued Robert Indiana’s LOVE stamp in 1973, the US heavily bombed the densely populated city Hanoi killing hundreds of innocent Vietnamese civilians…I have begun to understand the real power of this little jewel which may be the smallest form of propaganda available to all governments. These miniature posters travel all over the world…” Portfolio of unbound folded leaves issued in black linen box. Edition of twenty-five copies. University of Utah copy is no. 12, signed by the author.

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Book of the Week – Everyday Readers

13 Monday Apr 2015

Posted by rarebooks in Book of the Week

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blockprint, California, Mary V. Marsh, mulberry paper, Oakland, Quite Contrary Press, University of Utah


Everyday Readers
Mary V. Marsh
Oakland, CA: Quite Contrary Press, 2010
N7433.4 M373 E8 2010

From the colophon: “Blockprint on checkout cards, mulberry paper, brads, type, vintage cover.” Issued in case. Orange card in pocket on p.3 of cover numbered and signed by the author/artist. University of Utah copy is no. 14.

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Mark Strand (April 11, 1934 – November 29, 2014), In Memorium

11 Saturday Apr 2015

Posted by rarebooks in Uncategorized

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A Poet's Alphabet of Influences, Alfred A. Knopf, Atheneum, Austin, Barbara Cash, Bembo, blind-stamp, Blizzard of One, Bonnie Sucec, BookLab, C. N. Potter, Charles Seluzicki, Columbian handpress, Crown Publishers, Curtis Rag, Darker, Day Christensen, Don Howell, Elegy for My Father: Robert Strand, Gretchen Esping, handset, Humanities Research Center, Iowa City, Ives Street Press, Jorge Luis Borges, Josef Albers, K. K. Merker, Kim Merker, Larry Yerkes, Linotype Janson, Luminsim, Maine, Mark Strand, Monotype Univers, Neil Welliver, New York, Oregon, Photo-silkscreens, Pillar Guri Press, Portland, Prose, Pulitzer Prize, Random House, Reasons for Moving, Red Butte Press, Rives BFK, Romanee, Salt Lake City, Selected Poems, Shari Madsen, Sleeping With One Eye Open, Spectrum, Stempel Helvetica, Stone Wall Press, Sweden, Texas, The Continuous Life, The Manuscript Society of America, The Night Book, The Story of Our Lives, Twinrocker Paper Mill, uncorrected proof, University of Texas at Austin, University of Utah, Van Dijck, Vandercook Test, William Pène du Bois (1916-1993), William R. Holman, Windhover, Windhover Press, woodcuts

Pulitzer Prize winner Mark Strand taught at The University of Utah from 1981 to 1993.

“And though it was brief, and slight, and nothing
To have been held onto so long, I remember it,
As if it had come from within, one of the scenes
The mind sets for itself, night after night, only
To part from quickly and without warning.”

From “Luminism,” The Continuous Life


PS3569-T69-S55-1964-pg-28

Sleeping With One Eye Open
Iowa City: Stone Wall Press, 1964
PS3569 T69 S55 1964

Printed by K. K. Merker from Romanée type on Curtis Rag paper. Edition of two hundred and twenty-five copies. University of Utah copy is no. 60.


PS3569-T69-R4-1969-title[

Reasons for Moving
New York: Atheneum, 1968
PS3569 T69 R4 1969

University of Utah copy is poet’s autographed copy.


PS3569-T69-D3-1970-title

Darker
New York: Atheneum, 1970
PS3569 T69 D3 1970

University of Utah copy autographed by the poet.


PS3569-T69-E44-1973-pg-6

Elegy for my father: Robert Strand, 1908-1968
Iowa City: Pillar Guri Press, 1973
PS3569 T69 E44 1973

Photo-silkscreens by Gretchen Esping. Printed by Shari Madsen in 14 pt. Bembo on handmade Japanese Shogun paper. Edition of one hundred and fifty copies.


PS3569-T69-S7-1973-title

The Story of Our Lives
New York: Atheneum, 1973
PS3569 T69 S7

University of Utah copy autographed by the poet.


PQ7797-B635-T4-1975-Texas-poem

Texas
Jorge Luis Borges (1899-1986)
Austin: Humanities Research Center, University of Texas at Austin, 1975
PQ7797 B635 T4 1975

Translation by Mark Strand. Keepsake for the members of The Manuscript Society of America, designed by William R. Holman. Set in Linotype Janson. Edition of two hundred and ninety-five copies.


PS2569-T69-N55-1985-title-spread[

The Night Book
New York: C. N. Potter: Distributed by Crown Publishers, 1985
First edition
PS3569 T69 N55 1985

Illustrations by William Pène du Bois (1916-1993)


PS3569-T69-P76-1987[

Prose
Portland, OR: Charles Seluzicki, 1987
PS3569 T69 P76 1987

Drawings by Josef Albers. Printed by Barbara Cash at the Ives Street Press, Sweden, Maine. Text set in Monotype Univers. Titles hanset in Stempel Helvetica. Blind-stamp throughout. Paper is Rives BFK. Edition of one hundred and eighty-seven copies. University of Utah copy is no. 80, signed by the poet.


PS3569-T69-B57-1998-cover

Blizzard of one
New York: Alfred A. Knopf: Distributed by Random House, 1998
PS3569 T69 B57 1998

Uncorrected proof.


PS3569-T69-C66-1990

The Continuous Life
Iowa City: Windhover Press, 1990
PS3569 T69 C66 1990

Woodcuts by Neil Welliver. Printed by Kim Merker and Don Howell using a Vandercook Test press from handset Spectrum types on Windhover paper. Binding by Larry Yerkes. Edition of two hundred and twenty-five copies, numbered.


PS3569-T69-A6-1990-cover

Selected Poems
New York: Knopf: Distributed by Random House, 1990
PS3569 T69 A6 1990

Uncorrected proof.


PS3569-T69-P64-1994-spread

A poet’s alphabet of influences
Salt Lake City: Red Butte Press, 1993
PS3569 T69 P64 1994

Drawings by Bonnie Sucec, hand-painted by the artist. Designed, set by hand and printed damp on an 1846 Columbian handpress by Day Christensen. Type is 16 pt Van Dijck. Paper is handmade cotton rag from Twinrocker Paper Mill. Bound and boxed in linen case by BookLab. Edition of seventy-five copies plus 20 copies hors de commerce. This is copy XX, signed by the poet, artist, and printer.

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Book of the Week/ Donation – Independent Chronicle and Universal Advertiser

16 Monday Feb 2015

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"Light-Horse Harry" Lee, A. C. Hanson, Baltimore Federal Republican, Boston, Cambridge, Confederate, Congress, Continental Army, Dr. Ronald Rubin, Ebenezer Rhoades, George Washington, Henry Lee, Independent Chronicle and Universal Advertiser, John Adams, Pennsylvania, Philadelphia, Robert E. Lee, Salem, The Essex Gazette, The New-England Chronicle, Uniform Monday Holiday Act, United States, University of Utah, War of 1812, Whiskey Rebellion

Independent Chronicle, 1800Independent Chronicle and Universal Advertiser
Boston: Ebenezer Rhoades, 1800

“First in war, first in peace, and first in the hearts of his countrymen, he was second to none in the humble and endearing scenes of private life: pious, just, humane, temperate and sincere; uniform, dignified and commanding, his example was as edifying to all around him, as were the effects of that example lasting.”

George Washington’s death, late in 1799, evoked hundreds of funeral orations from all over the United States. Of these, that of Henry Lee, delivered before Congress on December 26, 1799 in Philadelphia, is the most memorable. His eulogy was re-printed in newspapers throughout the nation, and in pamphlets printed on the continent and overseas. The eulogy covered nearly the entire front page of newspapers.

As in many newspapers, this issue included “A Proclamation” signed by then-President John Adams setting aside February 22, Washington’s birthday, for the public to “testify their grief for the death of General George Washington.” In 1885, February 22 was declared a federal holiday. The date was changed to the third Monday of February in 1971 following Uniform Monday Holiday Act.

“Light-Horse Harry” Lee had been summoned by Washington in 1776 to join the Continental Army. In 1778, Washington promoted Lee to the rank of major and gave him command of a small corps of irregulars. Lee’s leadership of these troops earned him his nickname. In 1794 Washington sent him to command the suppression of the Whiskey Rebellion in western Pennsylvania. From 1799 to 1801 he served in Congress.

Lee helped his friend A.C. Hanson, editor of the Baltimore Federal Republican which opposed the War of 1812, resist a mob attack. In the melee he received injuries from which he never recovered. Lee served a year in debtor’s prison. He was the father of Confederate General Robert E. Lee.

The Independent Chronicle (1776-1840) originated in 1768 as The Essex Gazette in Salem and The New-England Chronicle in Cambridge which joined forces in Boston. In 1820 it had the distinction of being Boston’s oldest running newspaper.

University of Utah copy gift of Dr. Ronald Rubin.

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Join Us!

09 Monday Feb 2015

Posted by rarebooks in Events

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Armando Solorzano, Arturo Valenzuela, Ethnic Studies, European, Gabriel Garcia Marquez, Gould Auditorium, Hinckley Caucus Room, Hinckley Institute, Hinckley Institute of Politics, Jim Hinckley, Latin America, Latinos, Lyn Hinckley, Marriott Library, Mexican Revolution, Mexico, NSC Special Assistant to the President for Latin Affairs, Orson Spencer Hall, rare book collections, Rare Books Classroom, Rare Books Division, Rocco C. and Marian S. Siciliano Forum, Sabino Osuna, United States, University of Utah, Utah

SicilianoForumhttp://www.hinckley.utah.edu/siciliano-forum

The Rare Books Division is pleased to participate in the 17th Annual Rocco C. and Marion S. Siciliano Forum: The Future of U.S. – Latin American Relations.

MONDAY, FEB. 23

9:45 AM FORUM

“Marching to a Unified Future: Latinos in Utah and the Nation.” Armando Solorzano, University of Utah Associate Professor of Ethnic Studies

Hinckley Caucus Room, Orson Spencer Hall, 255

12:00 PM KEYNOTE ADDRESS

Arturo Valenzuela, former U.S. Asst. Secretary of State for the Western Hemisphere and former NSC Special Asistant to the President for Latin Affairs

Marriott Library, Gould Auditorium

1:00 PM ART EXHIBIT RECEPTION

“Mexico at the Hour of Combat: Photographs of the Mexican Revolution by Sabino Osuna” Presented by Jim and Lyn Hinckley

Marriott Library, 5th Floor 

1-2:30PM Rare Books Display

“What Seems Fantastic”

Visit the Rare Books Classroom, Level 4, for a hands-on display of selections from the rare book collections documenting European and United States encounters with Latin America from the 8th century to the 21st.

“My most important problem was destroying the lines of demarcation that separate what seems real from what seems fantastic.” – Gabriel Garcia Marquez

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Daily Utah Chronicle Article – Rare Books at the U make History Come Alive

27 Tuesday Jan 2015

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Alison Conner, Daily Utah Chronicle, Luise Poulton, Mary Royal, rare books, University of Utah

Daily Utah Chronicle reporter, Mary Royal, talks to Rare Books Managing Curator Luise Poulton, and Curator Alison Conner about rare books at the University of Utah.

Rare Books at the U make History Come Alive

“The real value of the collection cannot be measured in numbers…,” Poulton said. “…It is not about the money, but absolutely about the emotional connection that can be made with the past and with the books.”

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We Recommend– Next: 12 Visual Art Fellows

16 Friday Jan 2015

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15bytes, artists, collages, David Wolske, letterpress, Next: 12 Visual Art Fellows, printing, Rio Gallery, Salt Lake City, Shawn Rossiter, University of Utah, Utah, Utah Division of Arts and Museums, wood type

David

http://artistsofutah.org/15bytes/15jan/page1.html

See 18 collages by David Wolske:

“Next: 12 Visual Art Fellows”
Opening Reception, Friday, January 16, 6-9pm at the Rio Gallery, 300 S. Rio Grande St., SLC 84101

http://heritage.utah.gov/dha/dha-special/things-galleries-rio

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Book of the Week – New World Saints: a Collection of Twenty-five…

29 Monday Dec 2014

Posted by rarebooks in Book of the Week

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Catherine Ferguson, Craig W. Jensen, Dante Monotype, Domestic Etching, Donna Piers, engravings, letterpress, line engravings, New Mexico, Pamela Smith, pochoir, Press of the Palace of the Governors, Santa Fe, Somerset Cream, triptychs, University of Utah, watercolor


New World Saints: a collection of twenty-five…
Catherine Ferguson
Santa Fe, NM: Press of the Palace of the Governors, 1995
Z232.5 P7 F4 1995

Text by Spanish Colonial scholar Donna Piers. Pochoir by Palace Press staff. Text designed and printed letterpress by Pamela Smith. Illustrations from line engravings, hand-colored over a five year period. Twenty-six unbound die-cut sheets folded into triptychs set in Dante Monotype by Michael and Winifred Bixler, Skaneateles, New York. Triptychs are made of Somerset Cream paper. Prints are done on Domestic Etching papers. Hand-coloring with watercolors and pochoir process. Housed in an arched, tan cloth-covered box designed with double drop-spine covers to open like the doors of a church. Lined with Italian decorative print and gold papers. Boards held together with a metal closure on front. Box by Craig W. Jensen. Edition of one hundred and fifty copies, signed by the artist, author, and printer. University of Utah copy is no. 69.

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Daily Utah Chronicle Article – WWI Exhibit Revels in History at the Library

06 Thursday Nov 2014

Posted by rarebooks in Chronicle, Physical Exhibitions

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Afghanistan, Daily Utah Chronicle, exhibition, J. Willard Marriott Library, military, rare books, Special Collections, Special Collections Gallery, Special Collections Reading Room, University of Utah, WWI, WWII

The Special Collections exhibition, “Here and Over There: The Great War, 1914-1918,” was featured in an article in the Daily Utah Chronicle, the University of Utah’s student newspaper.

WWI Exhibit Revels in History at the Library

Margaret Keller, a visitor at the exhibit, came because of her family’s ties to the military.

“My father served in WWI, my husband in WWII, and my great-grandson in Afghanistan,” she said. “As a military family, I think it’s important to revel in these experiences.”

The exhibition is on display through Sunday, December 7, in the Special Collections Gallery and the Special Collections Reading Room, Level 4, J. Willard Marriott Library.

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