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Author Archives: rarebooks

Road Trip! — Center for Western Studies, Augustana University

30 Wednesday Nov 2016

Posted by rarebooks in Recommended Exhibition

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Augustana University, Center for Western Studies, Joseph DeSomet Lewis, Karl Bodmer, Lakota, Lewis and Clark, Marriott Librry Digital Operations, Matt Brunsvik, Meriwether Lewis, rare books, Sioux Falls, South Dakota

tableau_10

Rare Books is pleased to announce the use of one of our Karl Bodmer aquatints as an image for an installation at the Center for Western Studies, Augustana University, Sioux Falls, South Dakota.

The image is part of an installation spanning three rooms. The Rare Books Bodmer image is in a section of the exhibit that discusses Lewis and Clark’s experiences with the Lakota and, in particular, the claim Joseph DeSomet Lewis that Meriwether Lewis was his father.

curatorialstatement

Rare Books thanks Matthew Brunsvik, Marriott Library Digital Operations Coordinator, for his help.

Let’s go!

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We recommend — Mother Goose Refigured

29 Tuesday Nov 2016

Posted by rarebooks in Recommended Reading

≈ 1 Comment

Tags

Cassel & Company, Charles Perrault, chocolate, Christine A. Jones, Christine Jones, Cinderella, Circle Publishing Co., collotype, Detroit, Dunewald Printing Corporation, Edmund Dulac, fairy tale, folklore, France, history, Hollywood, Honors Humanities Professorship Lecture, Jennifer Schacker, Julian Wehr, Kathryn Kay, Leon Bakst, Little Red Riding Hood, luxury, magic, Matt Saunders, medicine, Mother Goose, Pierpont Morgan Library, rare books, Special Collections, The University Distinguished Teaching Award, tippet, trades, University of Utah, Wayne State University Press


cover art by Matt Saunders

cover art by Matt Saunders

“…its no surprise
If the wolf takes many a prize.
I say the wolf because not all wolves are the same.
There are those of courteous fame,
No noise or bile or rage,
But reserved, compliant, and sage,
Who will trail a girl well bred
All the way home, into her bed.
Ah! But as everyone knows, it’s the saccharine tongues,
Of all the wolves, who are the most dangerous ones.”
— Charles Perrault, “The Little Red Tippet”
—- translation by Christine Jones

Mother Goose Refigured: A Critical Translation of Charles Perrault’s Fairy Tales
Christine A. Jones
Detroit: Wayne State University Press, 2016

University of Utah Associate Professor Christine Jones is a specialist of seventeenth- and eighteenth-century France, with interests in the luxury trades and the fairy tale. She is the author of Shapely Bodies: The image of Porcelain in Eighteenth-Century France, as well as numerous articles on trade history. With folklore scholar Jennifer Schacker, she coedited Marvelous Transformations: An Anthology of Fairy Tales and Contemporary Critical Perspectives and Feathers, Paws, Fins, and Claws: Fairy-Tale Beasts.

Her work as a scholar and a teacher has been recognized with numerous honors and awards, including The University Distinguished Teaching Award (2014) and the Honors-Humanities Professorship (2015). For the Honors-Humanities Professorship Lecture she spoke to a packed house about “When Chocolate was Magic and Medicine.” She has introduced numerous undergraduate and graduate students to the enchantment of working with rare books and Rare Books.

We celebrate the publication of Christine’s latest book with an invitation to hold some of the rare magic for yourself by visiting Special Collections.

Tales of Mother Goose: the dedication manuscript of 1695 reproduced in collotype facsimile, Pierpont Morgan Library, 1956 Z115Z P43

Tales of Mother Goose: the dedication manuscript of 1695 reproduced in collotype facsimile, Pierpont Morgan Library, 1956
Z115Z P43

pq1877-c66-1955-v-2-portrait


“Cinderella is not a singular but plural, not a stable identity but a constantly shifting one. She is made of so many different versions of identity layered up in printed, oral, and visual media that she might be called a ‘palimpsest.'” — from the Introduction, Mother Goose Revisited

Possible Squeeze Play. This Advice I chanced Upon, That's Influenced Me Quit a Lot -- "If the shoe fits--put it on!" Just Look What Cinderella Got!, Kathryn Kay, Circle Publishing Co., 1942

Possible Squeeze Play. This Advice I chanced Upon, That’s Influenced Me Quite a Lot — “If the shoe fits–put it on!” Just Look What Cinderella Got!, Kathryn Kay, Circle Publishing Co., 1941 PS3521 A88 P677 1941


“Dressing the part so that people take you seriously as a way to draw attention to yourself when you would otherwise go unnoticed…sounds logical.” — from the Introduction, Mother Goose Refigured

A FAIRY GARLAND, BEING FAIRY TALES… Edmund Dulac, Cassel & Company, 1928 PZ8 F1685 1928 PZ8 F1685 1928

A FAIRY GARLAND, BEING FAIRY TALES…
Edmund Dulac,
Cassel & Company, 1928
PZ8 F1685 1928


“Even a wit of the dimmest cast,
Who is not so very worldly,
Will discover anon that this story
Is a tale of times long past.
No more the horrible husband of old
Whose demands were impossibly bold.
Though now he be discontent and domineering
Still with his wife he’s endearing.
The color of his beard no longer stands
To show among them who wears the pants.”
—Charles Perrault, “The Blue Beard”
—-translation by Christine Jones

L'Oeuvre de Leon Bakst pour La belle au bois dormant, M. de Brunhoff, 1922 ND699 B3 L38

L’Oeuvre de Leon Bakst pour La belle au bois dormant, M. de Brunhoff, 1922
ND699 B3 L38

nd699-b3-l38


“While she was crossing the woods, she ran into the neighborhood wolf, who very much wanted to eat her but did not dare because of the woodsmen in the forest. He asked her where she was going. The poor girl, who did not know that it is dangerous to stop and listen to wolves, told him…”
—Charles Perrault, “Little Red Tippet”
—-translation by Christine Jones

Little Red Riding Hood, animated by Julian Wehr, Dunewald Printing Corporation, 1944 PZ8 L783 We

Little Red Riding Hood, animated by Julian Wehr, Dunewald Printing Corporation, 1944
PZ8 L783 We

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Book of the Week — The Collected Poetry of W. H. Auden

28 Monday Nov 2016

Posted by rarebooks in Book of the Week

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Eleanor Nicholes, New York, poetry, Random House, rare books, The New Yorker, W. H. Auden

pr6001-j4-a17-1945-dustjacket

For, given man, by birth, by education,
Imago Dei who forgot his station,
The self-made maker who himself unmakes,
The only creature ever made who fakes,
With no more nature in his loving smile
Than in his theories of a natural style,
What but tall tales, the luck of verbal playing,
Can trick his lying nature into saying
That love, or truth in any serious sense,
Like orthodoxy, is a reticence.
— from “The Truest Poetry is the Most Feigning or, Ars Poetica for Hard Times”

The Collected Poetry of W. H. Auden
W. H. Auden 91907-1973)
New York: Random House, 1945
First edition, tenth printing

Stanza quoted above from folded clipping out of The New Yorker, date unknown, found tucked into this copy after the title-page.

pr6001-j4-a17-1945-ephemera

Rare Books copy inscribed and dated December 1954 by Auden to Eleanor Nicholes, who donated the book to us.

pr6001-j4-a17-1945-title

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An Old-Fashioned Thanksgiving

24 Thursday Nov 2016

Posted by rarebooks in Uncategorized

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Boston, children, Christmas, fantasy, Louisa May Alcott, Roberts Brothers, Thanksgiving

ps1017-a8-1882-title

“My sakes alive — the turkey is burnt on one side, and the kettles have biled over so the pies I put to warm are all ashes!”

Aunt Jo’s Scrap-bag: An Old-Fashioned Thanksgiving, etc.
Louisa May Alcott (1832-1888)
Boston: Roberts Brothers, 1882
First edition
PS1017 A8 1882

ps1017-a8-1882-old

“Aunt Jo’s Scrap-Bag” is a series of six books containing sixty-six fiction and non-fiction stories, begun in 1872 and completed in 1882 with this volume. Louisa May Alcott’s stories for children ranged from personal experiences to fantasy, all providing life-lessons in good will. The volumes were issued as Christmas gift books. Some of the stories were reprints, some original to these volumes. Illustrated with two full-page black and white plates. The volumes were uniformly bound, but in various colors. This volume bound in brown blind stamped cloth with gilt spine.

ps1017-a8-1882-pastedown

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Book of the Week — Life on the Mississippi

21 Monday Nov 2016

Posted by rarebooks in Book of the Week

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American, American Civil War, booksellers dummy, Boston, childhood, England, greed, gullibility, James R Osgood, life, Mark Twain, Mississippi River, New Orleans, Ohio River, railroads, rare books, Samuel Clemens, St. Louis, steamboat, The Adventures of Huckleberry Finn, The Adventures of Tom Sawyer, typewriter, United States

f353-c6441-1883-cover

“Look at me! I’m the man they call Sudden Death and General Desolation! Sired by a hurricane, dam’d by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother’s side! Look at me! I take nineteen alligators and a bar’l of whiskey for breakfast when I’m in robust health, and a bushel of rattlesnakes and a dead body when I’m ailing! I split the everlasting rocks with my glance, and I squench the thunder when I speak! Whoo-oop! Stand back and give me room according to my strength! Blood’s my natural drink, and the wails of the dying is music to my ear! Cast your eye on me, gentlemen!—and lay low and hold your breath, for I’m bout to turn myself loose!”

——————————–

“I became a new being, and the subject of my own admiration. I was a traveler! A word never had tasted so good in my mouth before. I had an exultant sense of being bound for mysterious lands and distant climes which I never have felt in so uplifting a degree since. I was in such a glorified condition that all ignoble feelings departed out of me, and I was able to look down and pity the untraveled with a compassion that had hardly a trace of contempt in it.”

f353-c6441-1883-riverboat

Life on the Mississippi
Mark Twain (1835-1910)
Boston: James R. Osgood and Co., 1883
First American edition, first state
F353 C6458 1883b

During an 1872 visit to the American Midwest, Samuel Clemens was “struck by the great diminution of steamboat traffic on the Ohio River and became anxious to document the steamboat era before it vanished altogether….” Life is his memoir of his youthful years as a “cub” pilot on a steamboat paddling up and down the Mississippi River. He used his childhood experiences growing up along the Mississippi in a number of works, including The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn, but in Life, thoroughly described the river and the pilot’s life prior to the American Civil War.

Clemens wrote of his return to the river, traveling on a steamboat from St. Louis to New Orleans. He described the competition from the railroads; the new cities; and a world of greed, gullibility, and bad architecture. Clemens considered Life his greatest work, in spite of the fact that he attempted to rewrite it immediately after publication.

This is believed to be the first literary work composed on a typewriter. It was published simultaneously in the United States and England. Illustration on page 441, showing Mark Twain in flames, which was omitted at the request of Mrs. Clemens in further printings of the same date.

f353-c6441-1883-pg441

Sold by subscription only, Rare Books has a booksellers dummy for this subscription. University of Utah copy in library binding.

f353-c6441-1883-title

f353-c6441-1883-announcement

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Book of the Week — Faust

14 Monday Nov 2016

Posted by rarebooks in Book of the Week

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Antiqua, Bremer Press, Faust, font, Frankfurt, German, Johann Wolfgang von Goethe, Louis Hoell, printing, Tolz, twentieth century, type, typecutter, University of Utah, Willy Wiegand

pt1916-a1-1920-title

He only earns both freedom and existence
Who must reconquer them each day.”
― Johann Wolfgang von Goethe, Faust

FAUST
Johann Wolfgang von Goethe (1749-1832)
Tolz: Bremer Press, 1920
PT1916 A1 1920

Printed using a proprietary type (an Antiqua) designed for Bremer Press by the director of the press, Dr. Willy Wiegand. The font was cut in Frankfurt by Louis Hoell (a typecutter who cut many types for designers in the heyday of German printing in the early twentieth century). The two sat side by side for days, cutting, filing, and proofing the font. Edition of two hundred and seventy copies. University of Utah copy is no. 8.

pt1916-a1-1920-pg6-7spread

“I hope we shall get on together, you and I;
I’ve come to cheer you up – That’s why
I’m dressed up like an aristocrat
In a fine red coat with golden stitches,
A stiff silk cape on top of that,
A long sharp dagger in my breeches,
And a cockerel’s feather in my hat.
Take my advice – if I were you,
I’d get an outfit like this too;
Then you’d be well equipped to see
Just how exciting life can be.”
― Johann Wolfgang von Goethe, Faust

pt1916-a1-1920-faust

 

 

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Book of the Week — Petri Gassendi Institutio Astronomica…

07 Monday Nov 2016

Posted by rarebooks in Book of the Week

≈ 2 Comments

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astronomy, Copernicus, crystalline, England, English, Galileo, Jacobi Flesher, Johannes Kepler, Jupiter, light, moon, moons, mountains, Pierre Gassendi, sphere, stars, telescope, textbook, Tycho Brahe, university, valleys, woodcuts

qb41-g2-1653-orbits

“…senseless atoms, playing and toying up and down, without any care or thought, and from eternity trying all manner of tricks, conclusions and experiments, were at length (they know not how) taught, and by the necessity of things themselves, as it were, driven…so that though their motions were at first all casual and fortuitous, yet in length of time they became orderly and artificial, and governed by a certain law, they contracting as it were upon themselves, by long practice and experience, a kind of habit of moving regularly; or else being, by the mere necessity of things, at length forced so to move, as they should have done, had art and wisdom directed them.”

PETRI GASSENDI INSTITUTIO ASTRONOMICA, JUXTA…
Pierre Gassendi (1592-1655), etc.
Londini, typis Jacobi Flesher, 1653
QB41 G2 1653

qb41-g2-1653-title

French polymath Pierre Gassendi worked on atomic theory, physics, and the philosophical implications of the work of Greek philosopher Epicurus (ca. 330 BCE), which he used as support for his opposition to an Aristotelean world view. Gassendi was one of the first to coin the term “molecule,” defined as two or more atoms joined together. Much of his published work was written to counter the philosophical views of Rene Descartes.

Using telescope lenses provided to him by Galileo Galilei, Gassendi made numerous astronomical observations that helped establish the validity of Kepler’s laws of planetary motion. In 1631, he observed Mercury transit in front of the sun, thus providing strong evidence for the Copernican model. Gassendi denounced astrology as having no empirical support.

This is the first edition of this collection and the first publication in England of all three works contained within.

Institutio astronomica was first published in 1647. It was divided into three sections: the first discussed the “theory of the spheres,” the second described astronomical theory, and the third discussed the conflicting ideas of Tycho Brahe and Copernicus. The work was used as a textbook, particularly in English universities, for years. That the second edition, here, includes Galileo’s Sidereus nuncius and Johannes Kepler’s Dioptrice makes the publication historically significant.

Sidereus nuncius (first published in 1610 – this is the third edition, the first English edition of any of Galileo’s works) announced Galileo’s discovery of Jupiter’s moons. Sidereus nuncius was Galileo’s publication of his first observations through a telescope he developed in 1609. Galileo observed the moon as a spherical, solid body complete with mountains and valleys, contradicting the tradition of the moon as a crystalline sphere. He observed thousands of stars hidden from the naked eye. He discovered four moons surrounding Jupiter, in different positions at different times. With these observations Galileo accepted the Copernican theory.

qb41-g2-1653-shadowsurface

qb41-g2-1653-constellation

Dioptrice (first published in 1611 – this is the second edition) explained the manufacture and workings of the telescope, a necessary component in the acceptance of what the telescope revealed. Kepler discussed the laws governing the passage of light through lenses.

Contains four woodcut plates and woodcut diagrams throughout the text. Each work has its own title-page. The main title-page is printed in red and black. University of Utah copy binding contemporary calf, ruled in blind.

qb41-g2-1653-globe

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Book of the Week — The Temperamental Rose

24 Monday Oct 2016

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Arches Cover, Arthur Rimbaud, Barbara Hodgson, BFK Rives, Black Stone Press, British Columbia, Claudia Cohen, color wheels, colors, Da Vinci, Daler-Rowney, David Clifford, Francoise Giovannangeli, Heavenly Monkey Editions, Holbein, Johann Wolfgang von Goethe, Kroma, letterpress, M.-E. Chevreul, Monotype Fournier, pigments, polymer plates, Seattle, Vancouver, watercolors, Winsor & Newton

n7433-4-h625-t4-2007-covern7433-4-h625-t4-2007-title

A Black, E white, I red, U green, O blue: vowels,
I will someday speak of your unseen births:
A, black corset bristling with glittering flies
That buzz around cruel smells,

Gulfs of shadow; E, innocent vapours and tents,
Lances of proud glaciers, white kings, frissons of an inflorescence;
I, crimsons, spit blood, laughter of lovely lips
In anger or drunken penitence;

U, cycles, divine thrill of a viridian sea,
Peace of pastures sprinkled with animals, peace of wrinkles
Imprinted on broad, thoughtful brows of alchemy;

O, Supreme Clarion full of strange strident cries,
Silence traversed by Worlds and Angels:
—O Omega, violet ray of Her Eyes!

— Arthur Rimbaud (1854-1891)

n7433-4-h625-t4-2007-goethe

The Temperamental Rose: And Other Ways of Seeing Colour
Barbara Hodgson & Claudia Cohen
Vancouver, British Columbia: Heavenly Monkey Editions, 2007
N7433.4 H625 T4 2007

From the Heavenly Monkey website: “A collaboration between author and book designer Barbara Hodgson, and bookbinder Claudia Cohen. The Tempermental Rose & Other Ways Seeing Colour was borne during the collaborators’ first meeting, in the summer of 2006, when they discovered mutual passions for color wheels and other systems for charting and codifying colors. Inspired by centuries of color studies, including those of Johann Wolfgang von Goethe and M.-E. Chevreul, the authors reproduce existing color wheels as well as create new and fanciful ways of seeing color. An introductory essay discusses the history of color, and each of the charts is accompanied by explanatory text.”

From the colophon: “This book was designed and set in digital Monotype Fournier by Barbara Hodgson. Francoise Giovannangeli edited it. It was printed letterpress from polymer plates by David Clifford at Black Stone Press, Vancouver, on Arches Cover and BFK Rives. The watercolours used in the charts are from Winsor & Newton, Daler-Rowney, Holbein and Da Vinci.” Edition of thirty numbered and five A.P. copies, each signed by the two authors. Each copy has been bound by Claudia Cohen in her Seattle studio. All hand colouring and other embellishments have been done by the authors. The six vials in each case contain fine artists’ pigments from Kroma, Vancouver.”

Black leather diaper-patterned embossed binding embellished with multi-colored geometric shapes on front and back boards. Spine is red leather with title embossed in gold. Issued in a clam-shell box.

University of Utah copy is no. 5, signed by the authors.

n7433-4-h625-t4-2007-ostwald

n7433-4-h625-t4-2007-euclid

n7433-4-h625-t4-2007-rauschenberg

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Book of the Week — Duet

17 Monday Oct 2016

Posted by rarebooks in Book of the Week

≈ 3 Comments

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"Your Cheatin' Heart", Acuff Rose Music, California, Daisy Dern, Fairfax, Hank Williams, Jungle Garden Press, Marie Dern, Mariken Panbloom, sonnet, William Shakespeare

n7433-4-d45-d84-1993-cover

n7433-4-d45-d84-1993-title

Past cure I am, now Reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen’s are,
At random from the truth vainly expressed;
For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night.
— William Shakespeare

Duet
Marie C. Dern
Fairfax, CA: Jungle Garden Press, 1993
N7433.4 D45 D84 1993

A book made for the artist’s daughter, Daisy, a country singer, who grew up on Hank Williams’ songs. Text is “Your Cheatin’ Heart” by Hank Williams and sonnet CXLVII by William Shakespeare. Music is hand drawn by Mariken Panbloom. Edition of three copies, as per agreement with Acuff Rose Music, holder of the copyright of the song. Rare Books copy is no. 2.

n7433-4-d45-d84-1993-cheatinheart

n7433-4-d45-d84-1993-franticmad

Shakespeare is here! The First Folio is at the City Library!

Happy Birthday, Marie!

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Book of the Week — Lexicon Tetraglotton…

10 Monday Oct 2016

Posted by rarebooks in Book of the Week

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alchemy, alphabet, anatomist, anatomy, architecture, Aristotle, Ben Jonson, Benjamin Franklin, cats, Charles, chemistry, clothing, dictionary, England, English, engraver, engraving, Europe, France, French, frontispiece, history, horsemanship, hunting, Italian, Italy, James Howell, Kenelm Digby, Kings, lexicography, lexicon, library, London, Machiavelli, Oxford, physician, political, Poor Richard's Almanac, proverbs, reference, Restoration, Samuel Thompson, Spain, Spanish, tracts, travel, trees, Wales, William Faithorne, William Harvey, women

lexicon-tetraglotton-frontis

lexicon-tetraglotton-title

“A catt may look on a king”

Lexicon Tetraglotton, an English-French-Italian-Spanish…
James Howell (1594? – 1666)
London: Printed by J.G. for Samuel Thompson, 1660
First and only edition

James Howell, born in Wales and educated at Oxford, began his literary career in 1640 with the political allegory, Dendrologia: Dodona’s Grove, or, The Vocall Forest, an account representing the history of England and Europe through the framework of a typology of trees. He continued to write political tracts throughout the 1640s and 1650s, drawing material from Aristotle, Machiavelli, and others. Howell befriended many literary figures, including Ben Jonson and Kenelm Digby. In 1620, he became ill and was treated by physician and anatomist William Harvey.

Howell wrote Instructions for Forreine Travel in 1642, a book of useful information about safe travel in France, Spain, and Italy. Traveling in his own country proved to be hazardous, however. On a visit to London early in 1643, he was arrested in his chambers and imprisoned for the next eight years. He spent this time writing. He was released from prison at the Restoration of Charles to the throne and in 1661 was made Historiographer Royal.

Howell was a master of modern romance languages. Lexicon is a dictionary but also contains epistles and poems on lexicography; characterizations of most letters of the alphabet; and vocabulary lists organized in 52 sections, such as anatomy, chemistry, alchemy, women’s clothing, horsemanship, hunting, architecture, and a library. Howell collected proverbs in English, Italian, Spanish and French which are added in Proverbs, or, Old Sayed Savves & Adages. Benjamin Franklin used this book as a reference for his own Poor Richard’s Almanac.

In the frontispiece, engraved by William Faithorne (1616-1691), four female figures, emblematic of England, France, Spain and Italy, stand among trees with a helmeted figure to the right standing guard. This copy contains a later state of the engraving with initials identifying the countries represented. Half-title and title-page in red and black. Rare Books copy gift of Anonymous, for whose generosity and friendship we are ever grateful.

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